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God, who is infinite and eternal, who created the heavens and the earth, can only be approached on His own terms. This is true of salvation as well as worship. God has redeemed a people out of fallen humanity to serve, worship and glorify Himself. God has taken the initiative and saved a people dead in trespasses and sins through the sacrificial death and sinless life of Jesus Christ. Professing Christians acknowledge that the only way to be saved is by Jesus Christ.1 They reject the notion that there are many paths that lead to God. But when it comes to worshiping God, most professing Christians believe that man can do almost anything he pleases as long as it is not blatantly sinful. The purpose of this book is to prove from Scripture that God has set forth a principle regarding worship that completely eliminates human autonomy from worship. God has not left worship to the caprice of man. God, who is the object of worship, tells His people how to worship. Once the regulative principle of worship has been established from Scripture, we will turn our attention to the use of musical instruments in public worship.
The Regulative Principle of Worship
Before we examine the chaos of current worship practices and God’s regulative principle of worship2, we must first define worship. “Religious worship is that whereby we address ourselves to God, as a God of infinite perfection; profess an entire subjection and devotedness to him as our God; put our trust in him for a supply of all our wants; and ascribe to him that praise and glory which is his due, as our chief good, most bountiful benefactor, and only portion and happiness.”3 God is to be worshiped because of who He is: a God of infinite perfections and holiness, etc. and for what God has done for His people through Jesus Christ. True worship can only be directed to the true God through Jesus Christ the Mediator, in and by God the Holy Spirit. True worship must be done with a sincere heart “in Spirit and in truth” (John 4:24). Christians are to sing the Holy Spirit’s divinely inspired songs to God through Christ. “Worship is the highest activity of man, for it is the response of the human soul to God. True and, therefore, acceptable worship is not something which man naturally renders. It owes its origin to God Himself, who gives to men the desire and the power to worship Him.”4 Worship in the broader sense involves all worship ordinances established by God in His word. This includes singing praises, prayer, reading the word of God, the sacraments, the preaching of the word, the tithe, etc.
The Chaos of Present-Day Worship
If a person visited several professing Christian churches on the Lord’s day and observed all the different ways in which these churches conducted their worship, he would probably conclude that Christian worship was an arbitrary affair—that it was something determined by man, based primarily on custom and tradition. In one church he might see people burning incense, lighting candles and praying to statues. At another church he might see people chanting and kissing icons (i.e., pictures of the saints). At another people might be shouting and clapping as the rock group jams and struts on the stage. At another church he might see a drama group, and at another, Bo-Bo the clown giving a sermonette to the children.
Many evangelical churches reject the empty ritualism and paganism of Roman Catholicism. They recognize that Romanism has perverted Christian worship by mixing it with Greek and Roman paganism. But what evangelicals do not realize is that the worship conducted in most Bible-believing churches today is a mixture of Christian worship with American pagan culture—the culture that worships self, success, entertainment and leisure.
The modern evangelical church has departed from the scriptural law of worship, which says that only God determines how He is to be worshiped.5 “Whatever I command you, be careful to observe it; you shall not add to it nor take away from it” (Deut. 12:29-32).6 Churches have been seduced by our entertainment-oriented, man-centered culture. Thus, their worship paradigm increasingly has been taken from Las Vegas and Hollywood. Therefore, the modern evangelical worship service is more and more a show for man, directed to man, with man-pleasing songs and lots of entertainment: music soloists, rock groups, ‘gospel’ groups, skits, plays, videos, singers, performance choirs, liturgical dancing, comedians, celebrity guest speakers, and so on. In most of these churches people even clap after a performance as though they were at a rock concert or a Broadway play.7 Churches today are designed for entertainment with a stage, intricate theatrical lighting, and sophisticated sound systems. Most preaching today is also entertainment-oriented, with pop-psychology, props, jokes, and other gimmicks. Preaching today is often long on story telling and humor but short on theology, biblical exposition and exegesis.
Who sets the parameters on what is permissible in worship, God or man? Most Christians would argue that man chooses.8 Thus, most churches have a man-centered pragmatic view of worship: “What makes me feel good in worship? What will bring more people into church? What can we do to have an exciting, emotional experience? What songs can be performed that will entertain the congregation? What kind of band should we have to attract young people to our services? What kind of music and sermon will make the unchurched comfortable in our church?” Baby boomers are accustomed to having everything tailored to their wants and perceived needs. If the church wants to grow, shouldn’t it adapt itself to our culture? Most professing Christians have neglected to ask a few very important questions. What kind of worship pleases and glorifies God? What does the Bible say about this? These questions cannot be answered by pollsters, sociologists, psychologists, or the church growth experts, but only by God Himself as He speaks to us in His infallible word.
The problem with most churches today is that they simply have ignored what the Bible says about worship. Everyone has his own theology and rules regarding the worship of God. The only major difference between biblical and unbiblical worship is the fact that some Christians derive their rules of worship from the Bible plus human opinion and pragmatic considerations while others follow only the strict parameters laid out in God’s word.9 The Roman Catholic church, for example, openly denies the final, definitive authority of Scripture and thus allows men to formulate autonomous doctrine and worship. Everyone with a knowledge of church history knows that this led to gross idolatry, superstition and paganism in worship practice during the Middle Ages.
Martin Luther and the Lutheran churches believed that the Bible alone (and not human opinion) was the only infallible rule of faith and life. Thus, they rejected the authority of church tradition. Sola Scriptura or the Scripture alone, is one of the pillars of Protestantism (i.e., biblical Christianity). But unfortunately, the Lutherans were inconsistent in their application of sola Scriptura to worship practice. They basically eliminated some of the grosser abuses of Romanism but retained much that was of human and not scriptural origin. They argued that what is not forbidden by Scripture is permitted. Therefore, they retained many ceremonies and ecclesiastical rites that were not derived from the Bible. “With such a view of the discretionary power of the church in matters of worship practice, it is not at all surprising that the Lutheran Church retained a large portion of the ceremonial, ritualistic and governmental structures of the Catholic church, the root causes of the corruption in the church against which Luther had rebelled in the first place.”10 The Anglican or Episcopal church also gave the church the power to determine (i.e., make up) ecclesiastical rites and ceremonies not derived from Scripture. Thus, Lutheran and Anglican churches have denied the absolute authority of Scripture in the area of worship. Therefore, although in many ways these churches were a vast improvement over Rome (e.g., justification by faith), in the area of worship and church government they were still fundamentally Romish with minor window-dressing reforms.
The Calvinist wing of the Reformation (Puritans, Presbyterians, Huguenots, Dutch Reformed, etc.) was fully consistent with sola Scriptura and, in obedience to the Scriptures, argued that whatever is not commanded by Scripture in the worship of God is forbidden. That is, anything that the church does in worship must be proven from the Bible. This proof can be attained by an explicit command of God (e.g., “Do this in remembrance of Me,” Lk. 22:19); or by logical inference from Scripture (i.e., there may not be an explicit command but when several passages are compared they teach or infer a scriptural practice)11; or by biblical historical example (e.g., the change from the seventh day to the first day of the week for corporate public worship).12 The scriptural law of worship is very simple: “The Holy Scripture prescribes the whole content of worship. By this is meant that all elements or parts of worship are prescribed by God Himself in His word. This principle has universal reference to worship performed by men since the fall. In other words, it has equal application to the Old and the New Testaments. It is also universal in that it is regulative of all types of worship, whether public, family, or private.”13
God says regarding the worship of Himself: “Whatever I command you, be careful to observe it; you shall not add to it nor take away from it” (Deut. 12:32). The worship of God is such a serious matter that God alone makes the rules. No man is permitted to add anything to or detract anything from what God has prescribed. The church’s job is not to innovate and create new worship styles, forms, or ordinances but simply to see what God has declared in His word and obey it.
“The power of the church is
purely ministerial and declarative. She is only to hold forth the doctrine,
enforce the laws, and execute the government which Christ has given to her. She
is to add nothing of her own to, and to subtract nothing from, what her Lord has
established. Discretionary power she does not possess.”14
The vast majority of “Bible believing” churches today are totally ignorant of God’s scriptural law of worship (i.e., the regulative principle). Many Christians, when confronted with this doctrine, argue that such a doctrine is an Old Testament teaching. They say that God in the New Testament economy has liberated us from such strictness. But an examination of the New Testament teaching on worship reveals that God’s regulative principle of worship has not been abrogated but remains in full force. Furthermore, the regulative principle of worship gives man true liberty, for it frees man from the arbitrary opinions, imaginations, and gimmicks of other men.16
The regulative principle of worship is taught throughout the Bible. What follows is an examination of the many passages in Scripture that prove that “whatever is not commanded in Scripture in the worship of God is forbidden.” Worship ordinances must be based specifically on what God says and not on human opinion or tradition.
The Regulative Principle in the Old Testament
1. The Unacceptable Offering
“And in the process of time it came to pass that Cain brought an offering of the fruit of the ground to the Lord. Abel also brought of the firstborn of his flock and of their fat. And the Lord respected Abel and his offering, but He did not respect Cain and his offering. And Cain was very angry, and his countenance fell” (Gen. 4:3-5).
What was it regarding Cain’s offering that made it unacceptable before God? The preference for Abel’s offering and the rejection of Cain’s was not arbitrary, but based upon past revelation given to Adam and his family. Evidently, God revealed this information to Adam when He killed animals to make coverings for Adam and his wife (cf. Gen. 2:21). Generations later, Noah knew that God would only accept clean animals and birds as burnt offerings to the Lord (cf. Gen. 8:20). Cain, unlike his brother Abel, decided, apart from God’s word, that an offering of the fruit of the ground would be acceptable before the Lord. But God rejected Cain’s offering because it was a creation of Cain’s own mind. God did not command it. Therefore, even if Cain was sincere in his desire to please God, God still would have rejected his offering.
God expects faith and obedience to His word. If God’s people can worship the Lord according to their own will, as long as the man-made ordinances are not expressly forbidden, then could not Cain, Noah, or the Levites offer God a fruit salad or a bucket of turnips, for it is nowhere forbidden? And if God wanted a strict regulation of His worship apart from the regulative principle, would it not require hundreds, or perhaps thousands, of volumes telling us what is forbidden? But God, in His infinite wisdom, says, “Whatever I command you, be careful to observe it; you shall not add to it nor take away from it” (Deut. 12:32).
2. The Second Commandment
“You shall not make for yourself any carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; you shall not bow down to them nor serve them” (Ex. 20:4-5).
The Puritans and Presbyterians recognized that the Ten Commandments were a summary of all of God’s moral precepts. Thus, the second commandment summarized how God is to be worshiped. While the command expressly forbids the making and worshiping of any representation of false gods and the making and worshiping of any representation of God Himself, it also forbids the use of all man-made devices and ordinances in the worship of God. It condemns “all superstitious devices, corrupting the worship of God, adding to it, or taking from it, whether invented and taken up ourselves, or received by tradition from others, though under the title of antiquity, custom, devotion, good intent, or any other pretense whatsoever.”17 Thomas Ridgely writes: “We further break this commandment, when we invent ordinances which God has nowhere in His word commanded; or think to recommend ourselves to him by gestures, or modes of worship, which we have no precedent or example for in the New Testament. This is what is generally called superstition and will-worship.”18 When discussing the second commandment, Michael Bushell writes: “It [image worship] is the archetype of all of man’s attempts to worship God through the work of his own hands. Idolatry and the introduction of unwarranted practices into services of worship are the illegitimate children of the same father. The latter is but a more ‘sophisticated’ version of the former. They both proceed on the assumption that the means of worship that God has seen fit to institute are inadequate.”19 For those who think that the Puritans were making too much of the second commandment, we must keep in mind that Christ argued that the sixth commandment applied to name calling and hatred; and the seventh commandment applied even to inward lust. If the seventh commandment forbids even impure thoughts, then surely the second commandment forbids devising our own forms of worship from our own minds.
3. Strange Fire
“And Nadab and Abihu, the sons of Aaron, took either of them his censer, and put fire therein, and put incense thereon, and offered strange fire before the Lord, which he commanded them not. And there went out fire from the Lord, and devoured them, and they died before the Lord” (Lev. 10:1-2).
“What was their sin?
Their sin was offering of strange fire, so the text saith that they offered
strange fire, which God commanded them not....
Those who reject God’s regulative principle of worship have a real problem explaining this text. Some argue that Nadab and Abihu were condemned because they offered strange incense, for offering strange incense is expressly condemned in Exodus 30:9. But the text does not say strange incense, it says strange fire. Others argue that they must have been insincere or drunk. But what does the Holy Spirit give us as the reason for their judgment? They offered strange fire, “which he commanded them not.” Carl W. Bogue writes: “You see the point emerging: the regulative principle! It was not that God had specifically forbidden other fires to be used. The issue is his appointment of a particular fire, and the conclusion is that whatever is not commanded is therefore forbidden. Many professing Christians would no doubt be offended at such a restriction. After all, all they did was worship God in a way not commanded, not in a way He had explicitly forbidden. Why should it matter where the fire came from? So they used fire of their own making! It would probably burn as brightly and consume the incense just as well. No doubt many would say, ‘It is just as good.’”22 But, although from a human standpoint the worship of Nadab and Abihu appears to be sincere and pious, it is sinful and was an act of rebellion because it was not commanded. It was a form of idolatry. They placed their human autonomy over God’s expressed will. Therefore, God consumed them by fire for intruding human ideas into the worship of the Lord.
4. Avoiding False Worship
A passage of Scripture that tells Israel how to avoid the corruption of biblical worship and syncretism with pagan worship practices is Deuteronomy 12:28-32: “Observe and obey all these words which I command you, that it may go well with you and your children after you forever, when you do what is good and right in the sight of the Lord your God. When the Lord your God cuts off from before you the nations which you go to dispossess, and you displace them and dwell in their land, take heed to yourself that you are not ensnared to follow them, after they are destroyed from before you, and that you do not inquire after their gods, saying, ‘How did these nations serve their gods? I also will do likewise.’ You shall not worship the Lord your God in that way; for every abomination to the Lord which He hates they have done to their gods; for they burn even their sons and daughters in the fire to their gods. Whatever I command you, be careful to observe it; you shall not add to it nor take away from it.”
Verse 32 is an explicit statement of God’s regulative principle of worship.23 It is interesting to note that whenever Israel and the church have ignored God’s scriptural law of worship, they in fact did adopt pagan worship—corrupting it. The Roman Catholic Church as a conscious practice mixed paganism into their rites and ceremonies to attract the heathen. Likewise, modern evangelical churches are mixing American pop-culture into their worship practices to attract new people. Because of our sinful natures and the allure of the surrounding pagan cultures in which we live, God has given us His regulative principle of worship to protect us from ourselves, from sinful human autonomy in worship. To ignore God’s explicit command is to invite heathenism, declension, and disaster into the church.
5. David and His Men’s Error
“So they set the ark of God on a new cart, and brought it out of the house of Abinadab, which was on the hill; and Uzzah and Ahio, the sons of Abinadab, drove the new cart. And they brought it out of the house of Abinadab, which was on the hill, accompanying the ark of God; and Ahio went before the ark.... And when they came to Nachon’s threshing floor, Uzzah put out his hand to the ark of God and took hold of it, for the oxen stumbled. Then the anger of the Lord was aroused against Uzzah, and God struck him there for his error; and he died there by the ark of God” (2 Sam. 6:3-4, 6-7).
David and the men involved in moving the ark were, without question, sincere in their desire to please God by moving the ark to Jerusalem. Yet, the result of this sincere effort was the judgment of God. Uzzah put out his hand to protect the ark from falling, because he loved God and cared about God’s ark. Yet, despite all the sincerity and good intentions, God’s anger was aroused and He killed Uzzah. Why? Because the whole affair was highly offensive to God. Uzzah’s touching the ark was the capstone of the day’s offenses.
Those who object to the regulative principle make much of the fact that Uzzah was killed for something clearly forbidden in God’s law (i.e., touching the ark). Yes, it is true that Uzzah died violating an explicit prohibition of the law (cf. Num. 4:15). But King David’s analysis of what went wrong that day includes everyone involved, not just Uzzah. “‘For because you did not do it the first time, the Lord our God broke out against us, because we did not consult Him about the proper order.’ So the priests and the Levites sanctified themselves to bring up the ark of the Lord God of Israel. And the children of the Levites bore the ark of God on their shoulders, by its poles, as Moses had commanded according to the word of the Lord” (1 Chron. 15:13-15).
When God gives a command that the Levites are to carry the ark with poles (cf. Num. 4), it is not necessary for God to forbid men of Judah from using an ox cart. King David and his men should have consulted the law of Moses and obeyed it. Instead, they acted pragmatically. They imitated the Philistines, who used a new cart when they sent the ark back to Bethshemesh. When it comes to the worship of God, we are not permitted to improvise, even if our intentions are good. Sincerity is important, but sincerity must be in accord with divine revelation. Even in religious matters that may seem small or trivial to us, God commands that we act in accordance with His revealed will and not innovate according to our will. “The great lesson for all time is to beware of following our own devices in the worship of God when we have clear instructions in His Word how we are to worship Him.”24 “Moreover we must gather from it that none of our devotions will be accepted by God unless they conform to His will. This rule ruins all the man-made inventions in the papacy’s so-called worship of God, which has so much pomp and foolishness. All of that is nothing but sheer trash before God, and is in fact an abomination to Him. Hence, let us hold this unmistakable rule, that if we want to worship God in accordance with our own ideas, it will simply be abuse and corruption. And so, on the contrary, we must have the testimony of His will in order to follow what He commands us, and to submit to it. Now that is how the worship which we render to God will be approved.”25
6. Autonomous Worship Condemned
“And they have built the high places of Tophet, which is in the Valley of the Son of Hinnom, to burn their sons and their daughters in the fire, which I did not command, nor did it come into My heart” (Jer. 7:31; cf. Jer. 19:5).
“How clearly does this
passage show that God does not view sin as does man. Man would revolt at the
unnatural and inhuman cruelty of the burning of the fruit of one’s own body
before an idol. But in God’s mind this is but secondary, the essential evil
being that it is worship which He does not command, neither came it into His
John Calvin, in his commentary on this passage, writes: “God here cuts off from men every occasion for making evasions, since he condemns by this one phrase, ‘I have not commanded them,’ whatever the Jews devised. There is then no other argument needed to condemn superstitions, than that they are not commanded by God: for when men allow themselves to worship God according to their own fancies, and attend not to His commands, they pervert true religion. And if this principle was adopted by the Papists, all those fictitious modes of worship, in which they absurdly exercise themselves, would fall to the ground.... Were they to admit this principle, that we cannot rightly worship God except by obeying His word, they would be delivered from their deep abyss of error. The Prophet’s words then are very important when he says that God had commanded no such thing and that it never came to His mind; as though He had said, that men assume too much wisdom, when they devise what He never required, nay, what He never knew.”28 Likewise, if modern Reformed, evangelical, and fundamentalist churches adopted and observed God’s regulative principle, the syncretism with our pagan culture (e.g., Hollywood), the entertainment (e.g., music soloists, drama, rock groups) and other gimmicks would cease.
7. The Sinful Pragmatism of King Saul
The biblical account of King Saul’s autonomy in worship and subsequent downfall reveals God’s attitude toward a man-centered, pragmatic view of worship.29 In 1 Samuel 10:8, the prophet Samuel instructs King Saul (according to the word of the Lord) to go to Gilgal, and to wait seven days. Then Samuel (who also was a priest) would return “to offer burnt offerings and make sacrifices of peace offerings.” King Saul went to Gilgal and waited for seven days for Samuel to arrive. On the seventh day many hours had gone by and Samuel still had not arrived. Saul’s troops were starting to disperse. The situation was tense, with the Philistines ready to attack. Therefore, Saul took matters in his own hands and offered a sacrifice before Samuel arrived. When confronted by Samuel (who arrived soon after Saul’s sacrifice) Saul offered the following excuses: “When I saw that the people were scattered from me, and that you did not come within the days appointed, and the Philistines gathered at Michmash, then I said, ‘The Philistines will now come down on me at Gilgal, and I have not made supplication to the Lord. Therefore, I felt compelled, and offered a burnt offering’” (1 Sam. 13:11-12).
Saul did not base his decision on Scripture or direct revelation from a prophet but upon the perceived need of the moment. From a human standpoint Saul’s pragmatic argument makes sense, for “Samuel had not yet come. The people were scattered from him. The Philistines were concentrating at Michmash, and might have come down and fallen upon him at Gilgal.”30 Saul even argues that his act was pious: “He would be thought very devout, and in great care not to engage the Philistines till he had by prayer and sacrifice engaged God on his side…. What! Go to war before I said my prayers!”31 If anyone had a legitimate excuse to do something in worship not prescribed by God it was King Saul. But Samuel said to Saul: “You have done foolishly. You have not kept the commandment of the Lord your God, which He commanded you” (1 Sam. 13:13). Saul was instructed to wait for Samuel. Samuel was supposed to make the offering at God’s appointed time. Saul’s pragmatism and disobedience showed that he simply did not trust God and His word. When it comes to worshiping God we are to do what He asks: no more and no less. Everything else is rebellion.
The story of Saul’s improvising in worship and God’s displeasure at such an act is important because almost all the innovations that are occurring in our day in worship, evangelism, church government, etc., are based solely upon pragmatic considerations. When people say, “But look at the number of people that are being saved; look at how marriages are being helped; look at the wonderful church growth we’re achieving,” we must respond by asking for scriptural warrant. In biblical Christianity the end never justifies using unauthorized means to that end32
8. The Apostasy of King Jeroboam
In 937 B.C., God divided the people of Israel into two separate nations and placed Jeroboam upon the throne over the northern tribes. Earlier, God had promised Jeroboam that if he walked according to His statutes and commandments, He would give Jeroboam an enduring house as He had for David (1 Kings 11:38). But Jeroboam did not trust in the Lord and His promise. He believed that the path to power and prosperity was only to be found in pragmatic political and religious maneuvering. He believed that the only way his kingdom would endure was to set up an alternative religious system to the one that God had set up in Jerusalem. He believed that because he was the king he had the power to set up new ordinances in ecclesiastical matters.
King Jeroboam was guilty of adding four major innovations to the religious system that Jehovah had instituted:
First, he set up two new worship centers to replace God’s chosen city Jerusalem. Jeroboam chose the cities of Dan and Bethel for their strategic location at both ends of his kingdom and because these sites had a special religious significance to the Israelites: “In the extreme south was Beth-el—‘the house of God and the gate of heaven’—consecrated by the twofold appearance of God to Jacob; set apart by the patriarch himself (Gen. xxviii. 11-19; xxxv. 1, 7, 9-15); and where Samuel had held solemn assemblies (1 Sam. vii. 16). Similarly, in the extreme north Dan was ‘a consecrated’ place, where ‘strange worship’ may have lingered from the days of Micah (Judges xviii. 30, 31).”33
Second, King Jeroboam instituted a new method of worship. At Dan and Bethel he set up golden calves. Were the people of the north already so corrupt that they immediately would be attracted to the rank idolatry of worshiping cows? Probably not. The evidence shows that although Jeroboam was power hungry and a pragmatist, he considered himself to be a worshiper of Jehovah. He even named his son and destined successor Abijah, which probably means “Jehovah is my father.” Therefore, Jeroboam and the people viewed the calves as representatives of the true God or as signs of Jehovah’s presence. They may have viewed the calves as similar to the cherubim in the tabernacle and temple from which Jehovah spoke (Num. 7:8-9), and where the special Shekinah presence dwelt. One of the most prominent features in the courts of the temple was the molten sea on the back of the twelve bulls. Perhaps Jeroboam and his advisors took their cue from the brazen bulls or they reinterpreted Aaron’s golden calf in a positive light. “[H]is contention would probably be, that he had not abolished the ancient religion of the people, only given it a form better suited to present circumstances—one, moreover, derived from primitive national use, and sanctioned by no less an authority than that of Aaron, the first High Priest.”34 Jeroboam not only violated the second commandment by using images in the worship of Jehovah but he also had shrines built for offerings on the high places. These high places were ancient sacred sites to the heathen. Therefore, Jeroboam’s adding his own elements to the worship of God led immediately to syncretism with paganism. Adding to God’s worship ordinances does not occur in a vacuum. When people add, they add what pleases man. In the north the people were already becoming attached to the local ‘sacred’ sites. Jeroboam merely accommodated their corrupt religious desires.
Jeroboam’s third innovation was to make “priests from every class of people, who were not of the sons of Levi” (1 Kings 12:31). “This opening up of the office to all was calculated to please the people and to destroy the Levitical priestly office. Furthermore, Jeroboam could enrich ‘himself’ by taking the cities that belonged to the priests and Levites, which they were obliged to leave, and from whence he drove them.”35 “For the Levites left their common lands and their possessions and came to Judah and Jerusalem, for Jeroboam and his sons had rejected them from serving as priests to the Lord. Then he appointed for himself priests for the high places, for the demons, and for the calf idols which he had made” (2 Chron. 11:14-15).
Jeroboam’s fourth innovation was to set his own time for one of God’s holy days, “on the fifteenth day of the eighth month, in the month which he had devised in his own heart” (1 Kings 12:33). Jeroboam apparently took a feast of God’s appointing (the Feast of Tabernacles) and merely changed the keeping of it from the fifteenth day of the seventh month to the fifteenth day of the eighth month. God does not tell us why Jeroboam changed the month. But, the fact that the change originated in Jeroboam’s heart and not from God’s word is emphasized by the Holy Spirit and shows God’s disapprobation of any human autonomy in worship.
What Jeroboam did through his innovations in worship led the whole northern kingdom into rank idolatry. Jeroboam’s perversion of true worship is set forth throughout the book of Kings as the paradigm of idolatry. Whenever an idolater king is described in the northern kingdom, the Bible says, “he walked in all the ways of Jeroboam the son of Nebat” (cf. 1 Kings 15:26, 34; 16:19, 26, 31; 22:52; 2 Kings 3:3; 10:29; 13:2, 11; 14:24; 15:9, 18, 24, 29; 17:21-22).
Although God in His word has continually warned His people of the need to follow strictly only what He has commanded in worship (not to add to it or detract from it) and has repeatedly set forth Jeroboam the son of Nebat as an example of God’s hatred of human innovations in worship and their disastrous effect upon God’s people, most professing Christians in our day act as though God has been silent in this area. For example, Jeroboam was condemned for using images (the golden calves) as aids in the worship of Jehovah. Yet today, pictures of Jesus Christ are common in evangelical and Reformed circles. Although it is claimed that these pictures of Christ are merely educational and not worshiped, the Bible teaches that Jesus is fully God and fully man in one person. Therefore, pictures of Christ are automatically religious and devotional in nature. Thus, their use needs divine warrant (there is none), and they violate the second commandment by depicting the second person of the trinity. Pictures of Christ are made from the imagination of man.36 This practice is will-worship.
Jeroboam was condemned for devising the time of a holy day without warrant from God’s word. Yet professing Christians today devise many holy days and their times without scriptural warrant. There is the almost universally celebrated holy day of Christmas—a holy day not commanded, the time of which was taken from rank heathen sun worship. One can search the whole Bible very carefully and one will not find a shred of biblical warrant for Christmas, Easter, Whitsunday, All Hallow’s Eve, etc.37 If God regarded the setting of even the time of a holy day by a king (appointed by Himself) as sinful, then surely all the holy days set up by popes, bishops, or anyone are likewise sinful. It can be said that many professing Christians today are following in the ways of Jeroboam, the son of Nebat.
Jeroboam was condemned for setting up a priesthood not authorized by God’s word. Yet most professing Christians today regard the method of governing Christ’s church as something primarily devised by man. But the New Testament sets forth a Presbyterian system of government (e.g., government by a plurality of elders). Furthermore, parachurch organizations that function independently of the church’s authority are unscriptural, for they are not authorized by God’s word. If God condemned the innovations in worship, holy days and church government made by a king, then He condemns these same innovations today. Be forewarned “that the first step on the path of idolatry is taken when men presume to worship the Lord through means and measures not ordained in the word of God.”38
What About the Regulative Principle in the New Testament?
For those in love with their human traditions (that they have added to God’s ordained worship), an obvious way to circumvent the clear meaning of the Old Testament passages discussed would be to assert that the regulative principle was meant only for an immature old covenant church. It is asserted that because the old covenant people of God did not have the Spirit of God in the same manner or fullness as new covenant believers, God had to prescribe all their worship ordinances in minute detail. But with the outpouring of God’s Spirit at Pentecost: “The Church, it may be said, has passed from childhood to years of maturity where it can exercise discretion and liberty in determining its own worship.”39 This argument (although common) is fallacious—for the New Testament teaches the exact same principle of worship as does the Old Testament. Christ held strictly to the regulative principle before and after His resurrection and the apostle Paul adhered strictly to the regulative principle many years after Pentecost.
1. Jesus and the Regulative Principle
“Then the scribes and Pharisees who were from Jerusalem came to Jesus, saying, ‘Why do Your disciples transgress the tradition of the elders? For they do not wash their hands when they eat bread.’ He answered and said to them, ‘Why do you also transgress the commandment of God because of your tradition’” (Matt. 15:1-3)?
The Pharisees were the respected religious leaders of the Jewish people. They believed that they had the liberty to add to the commandments of God. The law of God did contain various ceremonial washings to signify the unclean becoming clean. The Pharisees simply added other washings to emphasize and perfect the law of Moses. There is no express commandment forbidding these ceremonial additions except the regulative principle (e.g., Deut. 4:2; 12:31). These additions have no warrant from the word of God.
Jesus Christ is the champion of the regulative principle. He strongly rebuked the scribes and Pharisees for adding to God’s law. What happens when sinful men add rules and regulations to God’s law? Eventually manmade tradition replaces or sets aside God’s law. “Thus you have made the commandment of God of no effect by your tradition” (Matt. 15:6). The ancient Christian church added its own rules and ceremonies to the worship of God and degenerated into the pagan and idolatrous Roman Catholic church. If we do not draw the line regarding worship where God draws the line, then, as history proves, the church will eventually degenerate into little better than a bizarre pagan cult. Christ’s rebuke to the scribes and Pharisees applies today to virtually every (so called) branch of the Christian church. “These people draw near to Me with their mouth, and honor Me with their lips, but their heart is far from Me. And in vain they worship Me, teaching as doctrines the commandments of men” (Matt. 15:8-9). Calvin says: “Christ has faithfully and accurately given the meaning, that in vain is God worshiped, when the will of men is substituted in the room of doctrine. By these words, all kinds of will-worship (ethelogescheia), as Paul calls it (Col. 2:23), are plainly condemned. For, as we have said, since God chooses to be worshiped in no other way than according to his own appointment, he cannot endure new modes of worship to be devised. As soon as men allow themselves to wander beyond the limits of the Word of God, the more labour and anxiety they display in worshiping him, the heavier is the condemnation which they draw down upon themselves; for by such inventions religion is dishonored.”40
2. The Great Commission
After Jesus Christ’s resurrection He gave orders to His church to disciple all nations: “Teaching them to observe all things that I have commanded you” (Matt. 28:20). Note that Christ gave the church a very limited authority. Only those things taught in the word of God are to be taught to the nations. Therefore, whatever the church teaches by way of doctrine, church government and worship must come from the Bible alone. The church does not have the authority to make up its own doctrine or worship or government. William Young writes: “The charter of the New Testament Church at this point is expressed in identical terms as those of the Mosaic economy which we have seen so expressly to exclude the inventions of men from the worship of God. No addition to or subtraction from Christ’s commands may be allowed in the New Testament any more than with respect to the commands given on Mount Sinai in the Old.... We have no more right to alter that divinely instituted pattern of ordinances for the New Testament Church than Nadab and Abihu, Saul, Jeroboam, or any others in the Old.... The will of God, not the will of man, is the rule of the worship of the New Testament Church.”41
“The apostles obeyed Christ and taught the whole counsel of God (Acts 20:27). One can search carefully in the Gospels, Acts, Epistles and Revelation for divine authorization for many of today’s church practices (e.g., holy days such as Christmas, the liturgical calendar, the use of musical instruments in worship, the use of uninspired human songs in worship, music soloists, choirs, etc.), but there is no biblical warrant at all. Most pastors and teachers are not just teaching what Christ commanded but are also teaching many human traditions. Christians who want to honor Christ as the only King and head of the church must refuse to observe these man-made additions to what our Lord commanded.”42
3. Paul Condemns Will Worship
Paul in his epistle to the Colossians concurs with both the Old Testament’s and Christ’s teaching on worship. Paul condemns those who seek to impose Judaical food laws and holy days upon the church (Col. 2:16). (Because the ceremonial laws were shadows that pointed to the substance—Jesus Christ—they are done away with.) They are no longer authorized and therefore forbidden. Paul’s warning regarding human philosophy is the backdrop of his condemnation of false worship and manmade laws (legalism) in the same chapter. “Beware lest anyone cheat you through philosophy and empty deceit, according to the tradition of men, according to the basic principles of the world, and not according to Christ” (Col. 2:8).
Paul condemns manmade doctrines and commandments. “Therefore, if you died with Christ from the basic principles of the world, why as though living in the world do you subject yourself to regulations—Do not touch, do not taste, do not handle, which all concern things which perish with the using according to the commandments and doctrines of men? These things indeed have an appearance of wisdom in self-imposed religion, false humility, and neglect of the body, but are of no value against the indulgence of the flesh” (Col. 2:20-23). Paul says that any human addition to what God has commanded is self-imposed religion, or as the King James version says, “will worship.” The Greek word used by Paul (ethelothreskeia) signifies worship that originates from man’s own will. “This is worship not enjoined by God, but springing out of man’s own ingenuity—unauthorized devotion.... The worship referred to is unsolicited and unaccepted. It is superstition....”43 “The gist is that these ordinances are forms of worship or religious service chosen by man (according to the will of man), not means chosen by God. This is the essence of corrupt worship, when men seek to establish their own forms of religious service. We might call it free-will worship, since the advocates of man-made worship are claiming that men possess the right (or freedom) to institute acceptable means to worship God.”44 Furthermore, Paul says that adding to God’s word is a show of “false humility.” It is “will-worship” religion instead of God’s will religion. Manmade laws take away the liberty we have in Christ. God’s moral law is perfect. It does not need additions. Manmade rules and regulations are “not in any honor” to the believer.
God has given His church a Psalm book and a holy day (the Lord’s day). Can man improve upon the worship and service that God has instituted? Of course not. It is the height of arrogance and stupidity to think that sinful men can improve upon God’s ordinances. “It is provoking God, because it reflects much upon His honor, as if He were not wise enough to appoint the manner of His own worship. He hates all strange fire to be offered in His temple (Lev. 10:11). A ceremony may in time lead to a crucifix. Those who contend for the cross in baptism, why not have the oil, salt and cream as well.”45
4. The Circumstances of Worship
Another common objection to the regulative principle of worship that is based on a misunderstanding of the principle is as follows: “Where in the Bible are we commanded to sit in chairs in church?” or “Where are we commanded to use a building and lights?” or, “Where are we commanded to meet at 11:00 a.m.?” These objections are easily answered, once we understand the biblical difference between worship ordinances and the circumstances, or incidentals, of worship.46
Worship ordinances are those things and activities received from divine revelation. Every worship ordinance is appointed by God. Anything connected to worship that has a religious and moral significance has to be based on divine command (explicit or implicit) or historical example. The church receives all worship ordinances from God as revealed in the Bible. She must obey all of God’s ordinances. She does not have the authority to add to or detract from those things which God has appointed.
The circumstances of worship refer not to worship content and ceremony, but to those things “common to human actions and societies.” The only way someone can learn a worship ordinance is to study the Bible and see what God commands. But the circumstances of worship are not dependent on the explicit instructions of the Bible; they only depend on general revelation and common sense (“Christian prudence”). Believers and unbelievers alike know that a building and heater are necessary to conduct a meeting in January in Minnesota. Both understand the need for chairs, lighting, clothing, and so on. Everyone understands that a time must be chosen in advance in order to conduct a meeting. There are many things common to both religious and civil, or secular, meetings that are not dependent on specific biblical instructions. These things are the circumstances, or incidentals, of worship.
Worship Ordinances47 vs. Worship Circumstances
Note that everything in the left column must be learned from the word of God. Everything in the right column is a function common to everyone who lives in God’s universe. Worship ordinances are limited in number by divine revelation. Worship circumstances are virtually infinite in number, being based on the common agreement of men guided by “Christian prudence.”48 Because man is created in the image of God, and because man must live and function in God’s created reality (the universe), he must live and function in accordance with that reality. People do not need explicit instruction from the Bible to know to put a jacket on when it is -5°F outside. But men do need clear instructions from the Bible on how to approach the infinitely holy God.
Some men in Reformed denominations have attempted to blur the distinction between the circumstances of worship and worship ordinances in order to add their own human innovations to what God has commanded. But such clever subterfuges of God’s scriptural law of worship are easily discovered by considering that God has given worship ordinances in His word and also delineated their proper use. For example, Christians are told to pray. Yet believers are permitted to make up the content of prayer as long as they carefully follow the pattern or example set forth by Christ in the Lord’s prayer. Christians also are told to praise God in song in public worship. Yet in the singing of praise they are only to sing from God’s inspired hymn book, the Psalter. In one ordinance (prayer) God says, “follow this pattern.” In another ordinance (singing praise) God requires the singing of God-written songs (the Psalter) alone. We must be careful to examine God’s word to determine what the worship ordinances are, as well as their proper use.
5. Why the Regulative Principle is Necessary
Church history has shown that God’s covenant people have often been drawn away from the simplicity of pure gospel worship into all manner of manmade innovations. Because of man’s fallen nature and proneness to sin it was inevitable that human autonomy in worship would pervert and then force out true worship. “And you shall have the tassel, that you may look upon it and remember all the commandments of the LORD and do them, and that you may not follow the harlotry to which your own heart and your own eyes are inclined, and that you may remember and do all My commandments, and be holy for your God” (Num. 15:39-40).
Many argue that God’s regulative principle is too strict. They argue that it confines the human spirit and that it stifles human creativity. They teach that it is an overreaction to the abuses of Roman Catholicism. But let us look at the logical implications of allowing anything into God’s worship as long as it is not forbidden in the word of God.
The first thing is that the simplicity and transcultural nature of pure gospel worship is replaced by a virtually infinite variety of manmade innovations. Since God no longer draws the line for worship content and ceremony, man will draw and redraw the line as he pleases. A church that does not obey God’s regulative principle finds it impossible to stop newfangled ideas and innovations in worship. The Presbyterian and Reformed denominations that abandoned the “regulative principle” in the late 19th and early 20th centuries prove this point. The pattern of perversion goes something like this: First, manmade hymns (not commanded) are sung alongside of God’s inspired Psalms (commanded). Then, within a generation or two, the Psalms are completely replaced by hymns and grossly paraphrased Psalms. The old-fashioned hymns after a while are replaced by charismatic, slap-happy campfire songs. Previously, the Reformed churches would sing the Psalms without musical accompaniment because musical instruments were used only in association with God’s temple, and therefore, ceased as aspects of the ceremonial law. Many Reformed churches abandoned a cappella Psalm singing and brought in organs. Then, within a generation or two, churches were using folk guitars, orchestras, and even rock groups. The innovations just described are only the tip of the iceberg. You can find the following in so-called “Presbyterian and Reformed” churches: celebration of holy days (Christmas, Easter, etc.), choirs, intricate liturgies, liturgical dance, rock groups, drama groups, rock videos, the church calendar, pictures of Christ, and crosses.
If you give sinful man the autonomy of choosing how he will worship, the historical pattern is clear. Man will choose man-centered worship. Sinful man is drawn to entertainment (thus the popularity of the clap-your-hands, stamp-your-feet, charismatic-style worship, rock groups, drama groups, choirs, music soloists, pop and country singers, etc.), and sinful man is drawn to ritual and pompousness (cathedrals, incense, candles, bells, holy days, popish vestments, liturgy, etc.). When will manmade innovations stop? They won’t until the church obeys God’s regulative principle of worship. God has given a command which man is not to ignore. “The acceptable way of worshiping the true God is instituted by himself, and so limited by his own revealed will, that he may not be worshiped according to the imaginations and devices of men: or in any way not prescribed in the Holy Scripture.”49 False worship originates in the mind of man according to his imagination. True worship originates in the mind of God and is revealed to us in the Bible. “But this is what I commanded them, saying, ‘Obey My voice, and I will be your God, and you shall be My people. And walk in all the ways that I have commanded you, that it may be well with you.’ Yet they did not obey or incline their ear, but walked in the counsels and the imagination of their evil heart, and went backward and not forward” (Jer. 7:23-24).
True Worship vs. False Worship
The regulative principle of worship is clearly set forth in Scripture. There are many plain statements of it in all parts of the Bible (e.g., the law, the writings, the prophets, the gospels, and epistles), and there are a number of historical examples given in the Bible of God’s indignation with those who violate it. There is nothing complicated or esoteric regarding God’s scriptural law of worship. Its genius and practicality lies in its simplicity: “that a divine warrant is required for everything in the faith and practice of the Church, that whatsoever is not in the Scriptures commanded, either explicitly or by good and necessary consequence, is forbidden.”50 The testimony of Scripture and history is very clear that human innovations in worship are a fountain of heresy and idolatry. God regards adding or subtracting from what He has commanded as sinful—will-worship.
That so many churches ignore and even ridicule such an important and clear teaching of God’s word shows the widespread declension and apostasy in our day. The worshiping of God is a serious matter. The contrast between modern evangelicalism’s comedy, skits, and entertainment with what God has commanded should make Christians tremble with fear. Girardeau writes: “God is seen manifesting a most vehement jealousy in protecting the purity of his worship. Any attempt to assert the judgement, the will, the taste of man apart from the express warrant of his Word, and to introduce in his worship human inventions, devices, and methods was overtaken by immediate retribution and rebuked by the thunderbolts of his wrath. Nor need we wonder at this; for the service which the creature professes to render to God reaches its highest and most formal expression in the worship which is offered him. In this act the majesty of the Most High is directly confronted. The worshiper presents himself face to face with the infinite Sovereign of heaven and earth, and assumes to lay at his feet the sincerest homage of the heart. In the performance of such an act to violate divine appointments or transcend divine prescription, to affirm the reason of a sinful creature against the authority of God, is deliberately to flaunt an insult in his face, and to hurl an indignity against his throne. What else could follow but the flash of divine indignation? It is true that in the New Testament dispensation the same swift and visible arrest of this sin is not the ordinary rule. But the patience and forbearance of God can constitute no justification of its commission. Its punishment, if it be not repented of, is only deferred.”51 Let us return to the liberty of Christ’s law, to the purity of the inspired apostolic doctrine and the simplicity of pure gospel worship. A true reformation and revival will only occur when churches return to the doctrines of sovereign grace and the scriptural law of worship.
The Regulative Principle and Modern Worship
Now that the scriptural foundation of the regulative principle of worship has been clearly established, let us examine a worship practice common today and see if it has biblical authorization. Remember, it is not enough that a practice is not forbidden by Scripture. There must be a divine warrant (i.e., biblical proof) for every worship practice in the church.
Musical Instruments in Public Worship
The use of musical instruments in public worship today is almost universal. Pianos and organs have been used for generations to set the ‘proper’ mood during the service and have been used to accompany the singing of hymns. As the 20th century draws to a close many churches have adopted the use of full-fledged bands with electric guitars, electric bass, keyboard, horns, and drums. Rock, pop, and country style bands are used as tools of church growth. Church growth materials argue that having a good band with upbeat music and worship songs will attract visitors and keep people coming back. Although musical instruments are powerful tools in the arsenal of emotional manipulation, does God’s word authorize their use in public worship in the new covenant era? A study of the use of musical instruments in the Bible reveals that the use of musical instruments in worship is connected to the sacrificial system and is an aspect of the ceremonial law. A brief survey of the use of musical instruments in the Bible will prove this assertion.
1. The Invention of Music
Adam and Eve, who worshiped God before the fall, used only their voices in the praise of Jehovah. This assertion is proved by the fact that musical instruments were not invented for another eight generations. “And Adah bore Jabal. He was the father of all those who dwell in tents and have livestock. His brother’s name was Jubal. He was the father of all those who play the harp and the flute” (Gen. 4:20-21). “Jubal was the ‘father’ of all who play the harp and flute. It goes without saying that these instruments were still very primitive. Although these were greatly refined in later times, Jubal was the first to employ musical instruments for the purpose of making music.”52 God records that the ungodly line of Cain took the initiative in the development of culture: Jabal: husbandry; Jubal: music; Tubal-Cain: metallurgy.53
2. Personal Pleasure
There are a number of instances in the Bible of musical instruments being used for the purpose of personal pleasure or entertainment. After Laban caught up with Jacob, who had slipped away at night, he said, “Why did you flee away secretly, and steal away from me, and not tell me; for I might have sent you away with joy and songs, with timbrel and harp?” (Gen. 31:27). Job refers to the use of music for family entertainment purposes: “They send forth their little ones like a flock, and their children dance. They sing to the tambourine and harp, and rejoice to the sound of the flute” (Job 21:11-12). Music also was used to accompany drunken feasts and parties, much like today. “The harp and the strings, the tambourine and flute, and wine in their feasts” (Isa. 5:12; cf. 24:8-9; Amos 6:5-6). These instances obviously do not refer to public worship.
3. Victory Celebrations
Musical instruments are also used for victory celebrations. After God’s deliverance of the people of Israel from the armies of Egypt, the people celebrated and sang the song of Moses. “Then Miriam the prophetess, the sister of Aaron, took the timbrel in her hand; and all the women went out after her with timbrels54 and with dances. And Miriam answered them: Sing to the Lord, for He has triumphed gloriously! The horse and its rider He has thrown into the sea!” (Ex. 15:20-21). It was the common practice of Israel to celebrate great victories with women dancing, singing, and playing musical instruments. “Now it had happened as they were coming home, when David was returning from the slaughter of the Philistine, that the women had come out of all the cities of Israel, singing and dancing, to meet King Saul, with tambourines, with joy, and with musical instruments. So the women sang as they danced...” (1 Sam. 18:6-7). After the Lord delivered the people of Ammon into Jephthah’s hands it says: “When Jephthah came to his house at Mizphah, there was his daughter, coming out to meet him with timbrels and dancing” (Jud. 11:34). The prophet Jeremiah spoke of the resettlement of the Israelites in their own land in terms of great joy and celebration: “Again I will build you, and shall be rebuilt, a virgin of Israel! You shall again be adorned with your tambourines, and shall go forth in the dances of those who rejoice” (Jer. 31:4).
These passages have a number of things in common. First, only the women played the instruments and danced. They are segregated from the men. Second, the use of instruments is always used in conjunction with dancing; the two are never separated. Third, in each instance there is a procession or forward movement. Fourth, each occasion is a direct response to a great national or local victory; that is, these are extraordinary celebrations and not set times of worship (however, there was annual dancing among the unmarried daughters of Shiloh, cf. Judges 21:19-23). Fifth, these celebrations were outdoor events; that is, they never occurred in the tabernacle, temple, or synagogue.
Do these national and local victory celebrations with women dancing, singing, and playing taborets justify the use of musical instruments in public worship? No, not at all. Although these celebrations by God’s people were done to the glory of God, there are a number of reasons why they should not be classed as formal public worship assemblies. First, although we repeatedly encounter (in the biblical record) groups of women dancing, singing, and playing instruments at outdoor celebrations, we never encounter women dancing and playing instruments in the tabernacle, temple, or synagogue. Second, the Bible says that everything required for God’s worship in the wilderness was shown to Moses on the mountain (Ex. 25:40; Heb. 8:5). Yet there are no instructions in Scripture giving women the authorization to dance and play instruments in the tabernacle. Third, in the biblical account Miriam leads a group of women in song, dance, and taboret playing. Yet the tabernacle service that was prescribed by God was led and conducted only by male Levites. The use of musical instruments in the temple (as noted below) also was reserved for the Levitical priesthood, all of whom were males. Fourth, these passages are really useless for those who are seeking a divine warrant for the use of pianos and organs in new covenant public worship; for even if they could be applied to new covenant formal worship they would prove that: only women could play musical instruments, only in conjunction with female dancing. Such a practice may be acceptable at a modern charismatic rock and roll jamfest, but is simply unacceptable to most conservative Presbyterians. The author does not know any Bible-believing Presbyterian pastors or elders who allow women to dance, leap, and play tambourines in the aisles of the church during the worship service. “The dance was an essential ingredient in the service in which instruments were used and cannot by any course of reasoning, or any evidence yet obtained, be excluded.... If instrumentation on this occasion furnished a warrant for the use of instruments in the worship of the present dispensation, and that instrumentation was for the purpose of leading the dance, there is no escape from the conclusion that the dance has at least as emphatic a warrant in New Testament worship as has the instrumentation.”55
4. The Trumpets of Announcement
In Numbers 10:1-10, God commanded the making and use of two silver trumpets. The use of these trumpets was carefully prescribed by God. The only persons authorized to blow these trumpets were “the sons of Aaron, the priests” (v. 8). When both trumpets were blown, the whole assembly of people were to gather at the door of the tabernacle of meeting (v. 3). When only one trumpet was blown, only the leaders were to gather (vs.4). The trumpets were used to “sound the call” for the Israelites to begin their journeys (vv.5-7) and were blown to “sound an alarm” to go to war. The trumpets were also blown “over” or during the sacrifices of the tabernacle.
Since the trumpets were not played during congregational or Levitical singing, and since their purpose throughout chapter 10 was to announce something or to sound an alarm, it is likely that the trumpets’ purpose during the sacrifice was to announce to the people the precise moment that the sacrifices were occurring. This, no doubt, would emphasize the solemnity and importance of the sacrifice. “But even if someone would insist that these trumpets were used, in some sense, as instruments of music in worship, it would still be true that this became true only when—and because—a divine command was then given. If this be the beginning of the use of instruments in worship, in other words, then it is noteworthy that it was a commanded beginning.”56 Furthermore, it should also be noted that only priests (the sons of Aaron) were permitted by God to play the trumpets; and their use (during the religious assembly) occurred only during the sacrifice. Thus, they were directly associated with the ceremonial rituals.57 The ceremonial playing of these trumpets during the sacrifice in the tabernacle could be considered the bud which would expand and flower during the expanded, more grand ceremonial order instituted by David for the temple. Instead of two solitary trumpets during the sacrifice in the tabernacle, the temple also had a Levitical choir, cymbals, harps and lyres playing all at once. Both were Levitical and ceremonial and both occurred only during the sacrifice.
5. Musical Instruments and the Early Prophets
There are two instances of the use of musical instruments by prophets. The first instance is the company of prophets in 1 Samuel 10:5: “After that you shall come to the hill of God where the Philistine garrison is. And it will happen, when you have come there to the city, that you will meet a group of prophets coming down from the high place with a stringed instrument, a tambourine, a flute, and a harp before them; and they will be prophesying.” The second instance is Elisha’s prophecy against Moab: “‘But now bring me a musician.’ And it happened, when the musician played, that the hand of the Lord came upon him. And he said, ‘Thus says the Lord: Make this valley full of ditches’” (2 Kings 3:15-16). In these two instances the use of musical instruments was intimately connected with prophesying.
Do these passages justify the use of musical instruments in public worship? No, for these examples were not public worship. In the instance regarding Elisha it is clear that he was not singing praise to God but speaking the word of the Lord. In the example of the prophets coming down the hill there is no way that one can tell if they were singing or not. Even if they were singing, this instance would not be an example of a public worship service but of a festal procession. If this rather unusual instance in 1 Samuel 10 did justify the use of musical instruments in public worship, it would only authorize their use in accordance with prophecy or direct revelation. Since the prophetic office ceased with the close of the New Testament canon, this passage is not applicable to the new covenant church. Furthermore, given the fact that musical instruments were only used by priests and Levites during the temple service and were not used in the Jewish synagogues until A.D. 1810 in Germany, one can safely conclude that the Jews themselves did not regard this instance in 1 Samuel 10 as a justification for musical instruments in public worship.
What purpose did music serve in these examples? Many commentators mistakenly argue that instruments were used to induce a state of ecstasy or to produce a certain mindset suitable to receiving divine revelation. However, the Bible teaches that the prophets spoke because the Holy Spirit moved them (2 Pet. 1:21). Furthermore, the majority of prophets prophesied without music. Therefore, the ecstatic inducement theory should be rejected. Music may have been an outward sign of the Spirit’s working. Whatever the purpose of musical accompaniment to prophecy was, it certainly does not provide a foundation for the use of musical instruments in public worship today.
6. The Introduction of Music in Public Worship
Besides the trumpets of silver introduced by God into the tabernacle service under Moses, God appointed additional instruments toward the end of King David’s reign.58 These instruments were likely introduced in anticipation of the completion of the temple under Solomon. A careful study of the use of musical instruments in worship in the old covenant reveals that musical instruments were only played by certain authorized classes of Levites. Non-Levites never used musical instruments in public worship. The musical instruments that were used were not chosen arbitrarily by man but were designed by King David under divine inspiration. Also, musical instruments were only used in conjunction with animal sacrifices. During the temple service, musical instruments were only played during the sacrifice. An objective study of instrumental music in public worship in the old covenant proves that the use of musical instruments in public worship was ceremonial. This argument is considerably strengthened by the historical fact that musical instruments were not used in synagogue worship or the apostolic church.
The first recorded instance of musical instruments being used in public worship occurred during the festivities and ceremonies when the ark of God was moved to Jerusalem. “Then David and all Israel played music before God with all their might, with singing, on harps, on stringed instruments, on tambourines, on cymbals, and with trumpets” (1 Chron. 13:8). This attempt to bring the ark of God to Jerusalem failed because the people involved did not follow the “proper order” (15:13). The people did not do what God had commanded.59 In other words, they violated the regulative principle. “God smote Uzzah, not merely as a judgement upon him for his rash and unlawful act in taking hold of the ark, but as a rebuke to David, the priests, the Levites and all the people; and as an admonition to all future generations to take heed to the divine command in all the affairs of divine worship. In this act he gave single proof that the whole proceeding was wrong. Had the offence consisted simply in placing the ark upon the cart, and Uzzah’s taking hold of it, the remedy was at hand. The priest and Levites were present with the multitude, and could have been immediately directed to take charge of the ark, but the whole service was rejected by God as dishonoring to Him. David afterwards frankly acknowledges the disorder of the whole proceeding.”60 “For because you [the Levites] did not do it the first time, the Lord our God broke out against us, because we did not consult Him about the proper order” (1 Chron. 15:13).
The second and successful moving of the ark to Jerusalem gives more details regarding the use of instruments at that time. “So the priests and the Levites sanctified themselves to bring up the ark of the Lord God of Israel. And the children of the Levites bore the ark of God on their shoulders, by its poles, as Moses had commanded according to the word of the Lord. Then David spoke to the leaders of the Levites to appoint their brethren to be the singers accompanied by instruments of music, stringed instruments, harps, and cymbals, by raising the voice with resounding joy. So the Levites appointed...the singers Heman, Asaph, and Ethan, [who] were to sound the cymbals of bronze.... Obed-Edom, Jeiel, and Azaziah, to direct with harps on the Sheminith; a Chenaniah leader of the Levites, was an instructor in charge of the music, because he was skillful.... Zechariah, Benaiah, and Eleazar the priests were to blow the trumpets before the ark of God” (1 Chron. 15:14-17, 19, 21-22, 24).
Note that only the Levites were appointed to play the musical instruments. In fact, the use of specific musical instruments was restricted to certain groups of Levites. Later revelation reveals that these appointments were not arbitrary but based upon the commandment of God (2 Chron. 29:25). The use of musical instruments was done by divine appointment, by Levitical priests in connection with the ark of the covenant. The events were also accompanied by sacrifices and offerings. Since at this time in Israel’s history there was no functioning tabernacle or temple, the ark alone was the place of God’s special presence and thus the central place of sacrifice and burnt offering.61 Thus, the Levitical use of musical instruments was an aspect of ceremonial worship.
The Bible teaches that the introduction of musical instruments into the public worship of God was by divine appointment. “Then he stationed the Levites in the house of the Lord with cymbals, with stringed instruments, and with harps, according to the commandment of David, of Gad, the king’s seer, and of Nathan the prophet; for thus was the commandment of the Lord by His prophets” (2 Chron. 29:25). Note, that the regulative principle of worship was strictly followed. Musical instruments were not used until God commanded their use. No one, not even kings, had the authority to introduce an innovation in worship without instructions from God to do so.
King David himself was a prophet and received detailed plans from God concerning the pattern of the temple and its worship. “Then David gave his son Solomon the plans for the vestibule, its houses, its treasuries, its upper chambers, its inner chambers, and the place of the mercy seat; and the plans for all that he had, he had by the Spirit, of the courts of the house of the Lord, of all the chambers all around, of the treasuries of the house of God, and of the treasuries for the dedicated things, also for the division of the priests and Levites, for all the work of the service of the house of the Lord.... ‘All this,’ said David, ‘the Lord made me understand in writing, by His hand upon me, all the works of these plans’” (1 Chron. 28:11-13, 19). The Holy Scripture emphasizes that David received the plans, divisions, and assignments relating to the temple by divine inspiration.62 Nothing relating to the temple and its worship originated in man’s imagination.
Whenever new worship practices were introduced, God made it very clear that He and not man was the source of the new additions. Thus, when additions were made under the administration of Moses, we are explicitly told that these additions came by way of divine inspiration (Ex. 25:9, 40; 27:8). The additions that came under the reign of King David also came by way of divine revelation.63 The system of temple worship set up by God during David’s reign receives no additions or alternatives until the death of Jesus Christ. The fact that new revelation was needed for the introduction of musical instruments into public worship is further proof that for thousands of years, from Adam to the latter part of David’s reign, true and acceptable worship was offered to God without the accompaniment of musical instruments.
In the old covenant musical instruments in public worship were always a function of the Levitical priesthood. Why? Because their use was intimately connected with the animal sacrifices. In fact, during the temple service the instruments of music were only played during the sacrifice. When the sacrifice was not in progress, they sang praise without the accompaniment of the musical instruments. “Then he [King Hezekiah] stationed the Levites in the house of the Lord with cymbals, with stringed instruments, and with harps, according to the commandment of David, of Gad, the king’s seer, and of Nathan the prophet; for thus was the commandment of the Lord by his prophets. The Levites stood with the instruments of David, and the priests with the trumpets. Then Hezekiah commanded them to offer the burnt offering on the altar. And when the burnt offering began, the song of the Lord also began, with the trumpets and with the instruments of David king of Israel. So all the congregation worshiped, the singers sang, and the trumpeters sounded; all this continued until the burnt offering was finished” (2 Chron. 29:25-28). When the sacrifice began, the use of musical instruments by the Levites began. When the offering was completed, the use of musical instruments also ceased.
Is it not obvious to the unbiased interpreter that the music served a ceremonial function?64 That it typified something regarding the perfect sacrifice to come?65 The ceremonial worship of the temple through audible and visible representations taught the people of God various things regarding the perfect redemption of their future Messiah. Thus the Holy Scripture says that the Levities were set apart to “prophesy with harps, stringed instruments, and cymbals” (1 Chron. 25:1). G. I. Williamson writes: “The whole system of ceremonial worship served as a ‘shadow of heavenly things’ (Heb. 8:5). It was ‘a figure for the time then present’ (9:9), but a figure of something better in the future. In plain words, here the drama of the redemption was enacted symbolically. We use the word ‘drama’ because this Old Testament ceremonial worship was only a representation of the real redemption which was to be accomplished, not with the blood of bulls and goats, but with the precious blood of Christ. That is why this impressive assembly of musicians was needed. In a similar way, a motion picture is a pale thing in comparison with the reality depicted. That is why sound effects, and a musical background are so important! It helps His Old Testament people (as children under age, Galatians 4) sense something more in these animal sacrifices than was actually there. So, as the sacrifice was offered, the emotions of God’s people were stirred by this great cacophony of music.”66
Since the New Testament teaches that all the ceremonial aspects of temple worship have been abolished, the passages that speak of the use of musical instruments in public worship, under the old covenant, do not provide biblical warrant for the use of musical instruments in public worship today. Jesus Christ rendered the whole ceremonial Levitical system obsolete with the perfect sacrifice of Himself on the cross (cf. Heb. 7:27, 9:28). The inferior (Heb. 9:11-15), the shadow (Heb. 10:1; 8:4-5), the obsolete (Heb. 8:13), the symbolic (Heb. 9:9), and the ineffectual (Heb. 10:4) have been replaced by Jesus Christ and His work. Christians have no more business using musical instruments in public worship than using priestly vestments, candles, incense, altars, and a sacerdotal priesthood.67 Roman Catholics are simply being consistent when they incorporate all the abrogated ‘shadows’ into their system of worship. Girardeau writes: “Those who have most urgently insisted upon it [musical instruments in public worship] have acted with logical consistency in importing priests into the New Testament church; and as priests suppose sacrifices, lo, the sacrifice of the Mass! Instrumental music may not seem to stand upon the same foot with that monstrous corruption, but the principle which underlies both is the same; and that whether we are content with a single instrument, the cornet, the bass-viol, the organ, or go on by a natural development to the orchestral art, the cathedral pomps, and all the spectacular magnificence of Rome. We are Christians, and we are untrue to Christ and to the Spirit of grace when we resort to the abrogated and forbidden ritual of the Jewish temple.”68
Reformed Christians should note that even if these Old Testament passages did authorize the use of musical instruments in the new covenant era they would only authorize certain instruments and no others. Silver trumpets were specifically authorized by God in the days of Moses (Num. 10:1, 2, 10); and stringed instruments, harps, and cymbals (the instruments of David, 2 Chron. 29:26) were authorized for use under King David (1 Chron. 15:16; 23:5; 28:13, 19; 2 Chron. 29:25-27, etc.). Some scholars (based on passages such as 2 Samuel 6:5 and Psalm 150) also include the pipe or flute. The Bible indicates that the choice of these instruments and even their design was not arbitrary. The Levites had to use only those instruments chosen by God. Nowhere in the Bible can one find authorization for pianos, organs, violins, bass guitars, six-string guitars, drum sets, and so on. If one wants to infer from the Levitical use of stringed instruments that guitars, banjos, violins, and bass guitars are permitted in public worship, then he has a major problem. Why? Because the two stringed instruments that God authorized for public worship (the kinnôr and the nêbel) had ten (cf. Ps. 33:2; 92:3; 144:9) eight (according to the titles to Psalm 6 and 12), and possibly 12 (according to Josephus) strings, not four or six. Furthermore, modern basses and guitars bear no resemblance to these ancient instruments. If (as noted above) the instruments of David were introduced and designed under divine inspiration, then churches that claim to adhere to the regulative principle (that point to the Levitical use as justification for the use of instruments today) should make a serious attempt to reproduce these ancient instruments.69
All Old Testament Examples of the Use of Musical Instruments in Public Worship are Ceremonial
These instances are the only scriptural hope for those who seek a scriptural warrant for musical instruments from the Old Testament.70 Can one find a non-ceremonial, non-Levitical use of musical instruments in these instances? No. There are a number of reasons why the use of musical instruments in these instances must be considered ceremonial. First, note that in each instance only the Levites were permitted to play the instruments (1 Chron. 15:16-24; 2 Chron. 5:12-13; Ezra 3:10; Neh. 12:35-36).71 Second, the priests and Levites only played instruments that were authorized by God: the silver trumpets of Moses and the instruments of David (1 Chron. 15:16, 28; 2 Chron. 5:12; 20:28; Ezra 3:10; Neh. 12:27, 36). Third, each instance was either connected with the ark, the temple, or the wall protecting the central sanctuary. The victory procession recorded in 2 Chronicles 20 ended at the temple (v. 28). The dedication ceremonies with the Levitical use of instruments never occurred outside of Jerusalem, the site of the temple—the central place of sacrifice. Fourth, the dedication services involved sacrifices and burnt offerings (1 Chron. 16:1-2; 2 Chron. 7:1, 5-6; Neh. 12:43). In fact, the burnt offerings and peace offerings were the climaxes of these services. Furthermore all of these instances occurred in unique historical circumstances. They were extraordinary services involving the civil magistrate, the Levitical priesthood, the whole nation, and were all intimately tied to the temple cultus. These instances of the use of musical instruments in public worship are obviously ceremonial,72 and thus are of no use to those seeking warrant for pianos, organs and guitars.
The account of the use of musical instruments in the book of Ezra proves that godly Jews followed the regulative principle of worship. “When the builders laid the foundation of the temple of the Lord, the priests stood in their apparel with trumpets, and the Levites, the sons of Asaph, with cymbals, to praise the Lord, according to the ordinance of David king of Israel” (Ezra 3:10). Note that over 400 years after the death of King David the Spirit-inspired instructions that he gave regarding worship are still in force and strictly followed. Not only were the Levites using the same instruments ordered by God under David, but the Levitical family of Asaph was still in charge of using the cymbals (cf. 1 Chron. 15:19). Fensham writes: “In these verses the celebrations are described after the foundation had been laid. The leading role was played by the priests and Levites. The priests were clad in their typical vestments (cf. Ex. 28; 2 Chron. 5:12; 20:21) and they blew the trumpets. The Levites played on the cymbals (cf. Ps. 150:5), which consisted of two metal plates with which they gave the beat (cf. 2 Chron. 15:16, 19; 16:5; 25:1-6; 2 Chron. 7:6). According to the author this was done as David prescribed. He was at this stage regarded as the most important figure who initiated music in the cult.”73 The account in Ezra is indisputable proof that the civil and religious leaders of the Jewish nation regarded the introduction of musical instruments into public worship as commanded by God and a permanent aspect of the temple system.
If one wants to find a non-Levitical, non-ceremonial use of musical instruments in public worship, the most logical place to look would be the worship conducted in the synagogue. Why? Because unlike the temple worship, which contained much that was ceremonial, typical, and temporary, the worship of the synagogue was non-typical or symbolic. “The reading and exposition of the divine Word, hortatory, addresses the singing of psalms and the contribution of alms as elements of worship which cannot be regarded as types foreshadowing substantial realities to come. They belong to the class: essential and permanent.”74 “The worship of the synagogue was very different from that of the Temple, in that it had no sacerdotal rituals and supported no sacrosanct priesthood.”75 Since synagogue worship did not involve any of the ceremonial rituals of the temple, and since a study of the use of musical instruments in public worship in the Old Covenant shows that their use was ceremonial and Levitical, one would expect that synagogue worship would be practiced without the use of musical instruments. Indeed, that is exactly the case!76 The Jews did not use instruments in public worship but sang psalms a cappella because they regarded instrumental music in worship as belonging to the temple. “In his great work On the Ancient Synagogue, Vitringa shows that there were only two instruments of sound used in connection with the synagogue, and that these were employed, not in worship or along with it as an accompaniment, but as publishing signals—first, for proclaiming the new year; secondly, for announcing the beginning of the Sabbath; thirdly, for publishing the sentence of excommunication; and fourthly, for heralding fasts. These were their sole uses. There were no sacrifices over which they were to be blown, as in the tabernacle and temple. And from the nature of the instruments it is plain that they could not have accompanied the voice in singing. They were only of two kinds—trumpets (tubae), and rams’ horns or cornets (buccinae).... It had but one note, and was so easy to blow that a child could sound it. Further, they were, for the most part, used not even in connection with the synagogue buildings, but were blown from the roofs of houses, so as to be heard at a distance.”77
Instrumental music was not introduced in synagogue worship until the nineteenth century.78 The argument used to introduce music into synagogue worship by the Jews supports the position that the use of music in public worship in the Bible is ceremonial. The Jews who introduced music in synagogue worship argued that music was played during the sacrifice in the temple. But since the temple has been destroyed (A.D. 70), God accepts the prayers of His people as a sacrifice, as atonement. Thus, in their minds, music should be in the house of prayer just as it accompanied the animal sacrifices. Although this argument is unscriptural and is based on human merit as a replacement for blood atonement, it at least recognizes the connection between instrumental music and the sacrificial cultus. The more strict Jews (the Orthodox) still do not use musical instruments in their worship because they recognize that it was restricted to the Levitical-temple system of worship.
The fact that the temple used musical instruments while the synagogues did not is significant, for the first Christian churches were closely patterned after the synagogue. “The most important legacy of the first century synagogue was the form and organization of the apostolic Church.”79 In fact, with the large numbers of Jews who were saved and baptized in Jerusalem in the early days of the church, it is likely that some synagogues became Christian churches.80 “Thus, it comes as no surprise to find no musical instruments in the worship of the early Christian church. Indeed, it is not too much to say that the witness to this ‘rejection of all musical instruments is consistent among the Fathers.’”81 “The early Christians followed the example of the synagogue. When they celebrated the praise of God in psalms, hymns, and spiritual songs, their melody was the fruit of their lips.”82
Most people who argue for the use of musical instruments in public worship today do not use the passages from the Chronicles for justification of their practice, but instead quote the references to musical instruments from the book of Psalms.83 The problem with this approach is that the Psalms often speak of the worship of Jehovah using ceremonial types. The Psalms speak of offering sacrifice (Ps. 20:3; 54:6; 107:22; 118:27), burnt offerings (Ps. 20:3; 50:8; 51:19; 66:13, 15), the altar (Ps. 26:6; 43:4; 51:19; 118:27), God’s house—the temple (Ps. 101:2; 122:1). The Psalms speak of walking within God’s house (Ps. 101:2), of going into the house of Jehovah (Ps. 122:1), of worshiping toward God’s holy temple (Ps. 5:7; 138:8), and of inquiring in God’s temple (Ps. 27:4). Orthodox Christians do not use the passages in the psalms that speak of sacrifices and burnt offerings as proof texts for offering sacrifices in church because they know from other portions of Scripture that these duties belonged to the Levitical priesthood and were part of the ceremonial temple system that has been fulfilled and superseded by Christ. Likewise, the clear historical passages of Scripture that discuss the use of musical instruments in public worship teach that their use was ceremonial.84 Therefore, the Psalm passages that speak of music in public worship do not justify their use today. For if they did, the passages that speak of burnt offerings could be used to introduce animal sacrifices into today’s worship. Their “argument from the Psalms proves too much and is therefore worthless.”85 Girardeau writes: “If, now, the argument holds good, which is derived from the Psalms in support of the use of instruments in the public worship of the Christian church, it equally holds in justification of the offering of bloody sacrifices in that worship. The absurdity of the consequence completely refutes the argument.”86 Their only hope would be to prove from the synagogue worship that instruments also had a non-ceremonial worship function or to find warrant for musical instruments in public worship in the New Testament. The synagogue worship (as noted above) did not involve any musical instruments at all. The New Testament does not authorize the use of musical instruments in Christian public worship.87 G. I. Williamson writes: “The fundamentalists speak of rebuilding the temple in Jerusalem, and thus take seriously the fact that this Old Testament worship was commanded by God. If we are going to revive ceremonial worship, in other words, then let us at least be careful to restore it exactly as it was commanded. Let us not pick and choose as we will. That the fundamentalist is mistaken, however, in expecting a restoration of that which is passed away is perfectly plain.”88
The section of Scripture most often alluded to as a justification for the use of instruments in new covenant public worship is Psalm 150: “Praise Him with the sound of the trumpet; praise Him with the lute and harp! Praise Him with the timbrel and dance; praise Him with stringed instrument and flutes! Praise Him with loud cymbals; praise Him with high sounding cymbals!” (vv. 2-5). People who appeal to Psalm 150 as a justification for the use of musical instruments in new covenant worship violate a number of standard interpretive procedures. First, what did this Psalm mean to the original old covenant Jewish audience? Did the Jews use this Psalm and other such Psalms as a justification for the introduction of musical instruments in their synagogue worship? No. They most certainly did not. Jewish synagogues did not use musical instruments in praise until 1810.
Second, this scripture can only be used as a justification for new covenant worship if it is isolated from the rest of the Bible. Scripture must be used to interpret Scripture. The broad context of Scripture teaches that: dancing and taboret playing were performed outdoors during festive occasions by women (Ex. 15:20; Jud. 11:34; 21:21; 1 Sam. 18:6; 221:11; 29:5; Jer. 31:4); only priests were authorized to play trumpets in worship (Nu. 10:8,10; 2 Chron.5:11-14; 29:26: Ezra 3:10; and , harps, lyres and cymbals were only authorized to be played by Levites (1 Chron. 15:14-24, 23:5, 28:11-13, 19; 2 Chron. 5:11-14; 20:27-28; 29 ;25-27; Neh. 12:27, etc.).89 To completely ignore the Old Testament teaching regarding the use of instruments in worship when referring to Psalm 150 as a proof text for new covenant praise is sloppy exegesis and an illegitimate method of using a proof text.
Third, people who use this passage as authorization for musical instruments also ignore the immediate context. Is this passage meant to be taken literally? Or is it a poetic way of speaking of God’s people offering dedicated, fervent praise throughout the earth? If one takes this passage literally, then not only does it blatantly contradict the rest of the Old Testament’s teaching regarding musical instruments in worship, but it also teaches that every believer should play musical instruments during worship (an absurd notion). Furthermore, it would teach that the heathen and brute creatures also are to praise Jehovah. Regarding Psalm 150:3, Calvin writes: “I do not insist upon the words in Hebrew signifying the musical instrument [in other words they may just be poetic metaphors exhorting believers to great praise]; only let the reader remember that sundry different kinds are here mentioned, which were in use under the legal economy, the more forcibly to teach the children of God that they cannot apply themselves too diligently to the praises of God.”90
Given the fact that Psalm 150 incorporates the instrumentation of the temple, the taboret playing and dancing of victory celebrations as well as instruments only used upon secular occasions (e.g., v. 4: “stringed instruments” [minnim] and “flutes” [‘ugabh]); coupled with the exhortation for everything that breathes to praise Jehovah it should be rather obvious that this Psalm was not meant to be used as a literal instruction guide for public worship. Psalm 150 is an exhortation expressed in poetic language which teaches that everyone in heaven and on earth should praise Jehovah with every fiber of his being. (Furthermore, as noted above, the Jews of the old dispensation did not regard Psalm 150 as authorizing the use of instruments in public worship outside of the Temple.)
Those who seek authorization for musical instruments in Psalm 150 should also take note of the word sanctuary in verse one: “Praise God in His sanctuary.” If one is going to use Psalm 150 as proof for the use of musical instruments in new covenant public worship, then one has an obligation to use all the specific instruments commanded and one must also use liturgical dance. Presbyterian pastors who appeal to this Psalm as authorization cannot (according to their own use of it) forbid taboret (tambourine) playing and dancing in the aisles during their worship services.
A biblical view of Psalm 150 is more readily found in the older Presbyterian and Reformed commentators. The Covenanter David Dickson writes of verse 3 through 5: “Here are other six exhortations, teaching the manner of praising God under the shadow of typical music, appointed in the ceremonial law. Whence learn. 1. Albeit the typical ceremonies of musical instruments in God’s public worship, belonging to the pedagogy of the church, in her minority before Christ, be now abolished with the rest of the ceremonies; yet the moral duties shadowed forth by them, are still to be studied, because this duty of praising God, and praising him with all our mind, strength, and soul, is moral, whereunto we are perpetually obliged.”91
Matthew Henry writes: “In what manner this tribute must be paid, with all the kinds of musical instruments that were then used in the temple-service, v. 3-5…. Our concern is to know…that, various instruments being used in praising God, it should be done with exact and perfect harmony; they must not hinder, but help one another. The New Testament concern, instead of this, is with one mind and one mouth to glorify God, Rom xv.6…. He began with a call to those who had a place in his sanctuary and were employed in the temple-service; but he concludes with a call to all the children of men, in prospect of the time when the Gentiles should be taken into the church, and in every place, as acceptably as at Jerusalem, this incense should be offered, Mal. i.2.”92
The Reformed Baptist scholar John Gill writes: “Praise him with the psaltery; to which songs were sung. And harp: which were instruments, both were used in divine worship under the former dispensation; and in which David was well skilled and delighted and appointed proper persons to praise with them, 1 Chron. xv. 20,21. They were typical of the spiritual melody made in the hearts of God’s people, while they were praising him in psalms, hymns, and spiritual songs, under the Gospel, Ephes. v.19.”93
The New Testament and Musical Instruments
Thus far it has been noted that the use of musical instruments in Old Covenant public worship was Levitical and ceremonial. It was intimately connected with the tabernacle and temple. It was also noted that the public worship that occurred weekly in the Jewish synagogue occurred without musical accompaniment. The Jews until modern times considered the use of musical instruments to belong solely to the worship of the temple. Since the Bible explicitly teaches that every element of worship must have divine warrant, those who use musical instruments in public worship must find warrant in the New Testament. Does the New Testament authorize instrumental music in public worship? No. There is not a shred of evidence in the New Testament for the use of musical instruments.94 Their use is not commanded nor is there even one historical example of their use in the apostolic church. This should come as no surprise, given the fact that the new covenant church was closely patterned after the synagogue which did not use musical instruments, and the overwhelming Old Testament evidence that musical instruments served as ceremonial types.
Although the New Testament does not authorize the use of musical instruments in public worship, it is not silent regarding the worship of God. The author of Hebrews says: “Therefore by Him let us continually offer the sacrifice of praise to God, that is, the fruit of our lips, giving thanks to His name” (13:15). “Animal sacrifices had been rendered forever obsolete by the sacrifice of Christ, but the sacrifice of thanksgiving might still be offered to God, and indeed should be offered to Him by all who appreciated the perfect sacrifice of Christ. No longer in association with animal sacrifices, but through Jesus. The sacrifice of praise was acceptable to God.”95 Since Christians praise God through Christ and His perfect sacrifice and not with ceremonial types (e.g., incense, candles, musical instruments), they are to speak “to one another in psalms and hymns and spiritual songs, singing and making melody in your hearts to the Lord” (Eph. 5:19). “The Greek word for ‘make music’ is psallo, which means originally ‘to pluck the strings of an instrument.’ This gives a beautiful picture of what true and acceptable praise of God really is. Since the word psallo cannot be separated from the word ‘heart,’ it literally means ‘plucking the strings of your heart to the Lord.’ When the music of the heart is expressed through lips that confess the Lord’s name, there is no need for supporting instruments.”96 “The Levitical rites required God’s earthly people to provide material offerings: but the Christian’s ‘sacrifices’ are entirely spiritual in their character.”97 D. W. Collins writes: “It may be proper to remind the reader that the Apostle has shown the Hebrews that their ceremonial system has passed away, and that he incidentally refers in the ninth verse to the sacrifices offered at the altar, and affirms in the tenth verse that we have an altar in the present dispensation of which they have no right to partake, who cling to the ceremonial dispensation. As the bodies of beasts whose blood was used in the sanctuary or temple were burned without the camp, so Christ suffered without the gate—turned His back upon the ceremonial service, as no longer profitable. The Hebrews are, therefore, exhorted to follow Him by forsaking the literal Jerusalem, with all its ceremonial associations—going forth without the camp, bearing His reproach. No doubt this reproach, in the experience of a Hebrew, would be his forsaking the ritual, which was the pride of the Jews, and accepting the simple service of the gospel, which distinguished the followers of Jesus.”98 All the types of the temple (the continual burning of incense, the sacrificing of animals, the playing of musical instruments during the sacrifice, etc.) have been put away by Christ—the reality. Therefore, Christians pray and praise without the incense and musical instruments but with the lips alone.
The glory of the temple with its visible display and audible grandeur no doubt stimulated the senses and inspired awe, but now that Christ has come and instituted New Testament ordinances our focus is to be wholly upon Him—the reality. The simple unadorned worship of the gospel era brings us into the presence of the greater temple—Jesus Christ—as we sing divine songs, hear the word of God, listen to the preaching, and feast spiritually upon Christ’s body. Putting shadows, incense, musical instruments, vestments, altars, etc., into new covenant worship merely serves to hide Christ and His glory under obsolete externalities. “To do so would be a grievous dishonour to the Lord Jesus, for it would indicate a greater appreciation of the type than of the glorious archetype, the Savior Himself.”99
Some believers have attempted to find divine warrant for the use of musical instruments from the book of Revelation. The book does mention the use of harps (Rev. 5:8; 14:2; 15:2) in heaven. The problem with this approach is that Revelation frequently uses Old Testament types and symbols to dramatically portray new covenant realities. John continually refers to Jesus Christ as “the lamb” (Rev. 5:6, 8, 12- 13; 6:1, 16; 7:9- 10, 14; 12:11; 13:8; 14:1, 4, 10, etc.). He refers to the Church as “the temple” (3:12; 11:1-2) and the “New Jerusalem” (3:12; 21:2, 10). John mentions the “ark of His covenant” (11:19) and even describes an altar (6:9; 8:3, 5; 9:13; 11:1; 14:18; 16:7). Is John speaking of a literal altar? No. Philip Hughes writes: “Furthermore, when he says that he saw them under the altar [v. 9], this should not be taken to mean that there is a literal altar in the heavenly realm. The altar of sacrifice in the Mosaic system with its priesthood and offerings, pointed forward typologically to the altar of the cross, where Christ, both High Priest and Victim, offered Himself up for us sinners.”100 The book of Revelation mentions incense (8:4), but John specifically says that the incense is symbolic of the prayers of the saints. John refers to the use of trumpets (1:10; 4:1; 8:13; 9:14), But in each instance the trumpets symbolize voices or announcements of judgment. “John did not hear a literal trumpet, but the sound of a voice likened to the sound of a trumpet (4:1). Similarly, the music that John heard (14:2, Greek text) was not the sound of harps. It was the sound of human voices likened to harpers harping with their harps.”101 As incense represented the prayers of God’s people, the harps represented the praise of the saints. “The very employment of these ceremonial symbols—taken, as they are, from an abrogated system—further confirms the fact that they are not any part of New Testament worship.”102 Therefore, the book of Revelation no more authorizes the use of musical instruments in public worship than it does incense, altars, trumpets, or sacrificial temples. One cannot arbitrarily accept one without accepting the others also. Popery is at least consistent in accepting all the types.
An examination of God’s scriptural law of worship and the use of musical instruments in public worship in the Bible can lead to only one conclusion. The use of musical instruments in the public worship of God in the New Covenant era is without biblical authorization and is unscriptural. The biblical evidence that the use of musical instruments in public worship was Levitical, ceremonial, and typical is crystal clear and overwhelming. It is a tragedy that many Christians think they are worshiping God acceptably when they are engaging in worship practices that are not of divine appointment, which, therefore cannot please Jehovah. “[T]here is nothing which God, in His blessed word, defends with more exquisite jealousy than his worship; as there is nothing that he rebukes with more severity than the impertinent assumption of man to determine forms of worship for himself.”103
This conclusion will not be acceptable to many in Reformed circles today. To such people we ask: please produce divine authorization for the use of musical instruments in public worship; show us even one command or historical example that is not ceremonial and typical. We are not prejudiced against musical instruments and their use at appropriate times; we simply cannot find a shred of biblical evidence that they are to be used in new covenant public worship.
Some will simply wrench a few references to musical instruments from the Psalms out of their biblical and historical context as a pretext, but most will attack the scriptural law of worship itself. They will either openly abandon it by relegating it to a former dispensation,104 or they simply redefine it, rendering it virtually useless to hold back human autonomy and innovations in worship. This attack is wicked Scripture-twisting, but logical for those in love with human traditions. Why? Because the regulative principle (biblically understood) is the foundation of true Reformed and Presbyterian worship. Abandon it, or redefine it, and declension is inevitable. Why? Because all men, even regenerate men, are sinners, who if left to themselves will eventually pollute and corrupt the worship of God. The history of Israel and the Christian church prove this point. “The great lesson taught by the history of image-worship and the reverencing of relics is the importance of adhering to the Word of God as the only rule of our faith and practice, receiving nothing as true religion but what the Bible teaches, and admitting nothing into divine worship which the Scriptures do not either sanction or enjoin.”105
Others who object to the thesis of this book will claim that the use of musical instruments in public worship is a discretionary matter—that is, it is just a mere “circumstance of worship common to human actions and societies.”106 Such an assertion must ignore the whole Old Testament where it is clearly established that the use of instruments in worship was by divine authority. The use of musical instruments, their very design, and the various Levitical families who played them all were appointed by express commandment. This point is unquestionable. But, it is argued, could not the use of instruments be of divine appointment for the temple and be discretionary for the public worship in the synagogue and the Christian assemblies? No. The regulative principle was never limited to the temple (cf. footnote 104). Furthermore, something incidental to worship by nature is incidental or discretionary in all circumstances. The fact that the Jews in biblical times (indeed until 1810) regarded musical instruments as needing divine warrant for the synagogue should dispel the music-as-circumstance argument. “If, as some imagine, the apostles employed instruments of music in public worship, their instruments must have been buried along with them. They had a considerably protracted entombment, for they had no resurrection until at least seven or eight centuries afterwards. They did not reappear in Christian worship until the dark ages of Popery when, by unauthorized additions to the worship of the Church, men had greatly marred the divine beauty and simplicity of pure New Testament worship.”107
Sadly, the bottom line is that we are living in a time of serious declension regarding worship and doctrine. Many people are not interested in reform. Too many church leaders are content to defend the status quo. (But, a non-reforming church is a deforming one.) When confronted with the biblical evidence regarding the use of musical instruments in the public worship (also, unauthorized holy days and exclusive psalmody) the response usually is: “I don’t want to hear it. Who cares? That’s interesting but I love the sound of musical instruments in worship. This issue could be divisive, so just drop it”. These answers reveal an unscriptural, anti-Reformed attitude. “Is it not evident—painfully evident—that they are really arrogant words? ‘Who cares what God wants,’ such people say in effect: ‘So long as I have what I want! I am the important one!’ This is the very antithesis of true religion.”108 Human traditions have the ability to pull the heart strings. That is why they are so dangerous to the purity of gospel worship. Our hope and prayer is that the Holy Spirit would bring revival to His church and destroy these innovations, root and branch. It is not a time to be arrogant but to be humble, to pray, and to work for reformation. Let us return to the simple, unadorned worship of the apostolic church and our Calvinistic forefathers. May God have mercy on His Church and return it to the landmarks of the Reformation.
The word of God is the only authority and infallible standard for determining the doctrine, government and worship of the church. If one strictly adheres to the regulative principle of worship, the biblical case against the use of musical instruments in public worship is irrefutable (no warrant, no practice). Although the study of church history obviously does not carry the same weight as Scripture, it can be helpful nevertheless. The testimony from church history in support of the biblical evidence against the use of musical instruments in New Covenant worship is incredibly strong. The great theologians and apologists (of both the eastern and western branches of Christendom) for at least five centuries regarded the use of musical instruments in public worship as things that belonged solely to the old covenant dispensation. If the apostolic churches had used musical instruments in their worship, the attitude toward instrumental music in public worship by the church fathers would be extremely difficult to explain. For those who read this book who come from a Reformed or Presbyterian perspective, note carefully that the non-use of musical instruments in public worship was the position of all the great reformers and theologians from the Calvinist wing of the Reformation. Most Presbyterians did not abandon the non-use position until the latter half of the 19th century. Sadly, there is only a small remnant of Presbyterians today which still follows the biblical practice.
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The kithara is the active soul being moved by the commandments of God, the psalterion is the pure mind being moved by spiritual knowledge. The musical instruments of the Old Covenant understood spiritually are applicable to us.... The organ is the church of God composed of contemplative and active souls. The pleasant sounding cymbal is the active soul captured by the desire for Christ. —Origen (church father, Alexandria), Commentaries on the Psalms (3rd century).
Of old at the time those of the circumcision were worshiping with symbols and types it was not inappropriate to send up hymns to God with the psalterion and kithara and to do this on Sabbath days (breaking the rest and transgressing the law concerning the Sabbath). But we in an inward manner keep the part of the Jew, according to the saying of the apostle...(Romans 2:28f.). We render our hymn with a living psalterion and a living kithara, with spiritual songs. The unison voices of Christians would be more acceptable to God than any musical instrument. Accordingly in all the churches of God, united in soul and attitude, with one mind and in agreement of faith and piety, we send up a unison melody in the words of the Psalms. —Eusebius (church historian/bishop, Palestine), Commentary on Psalm 91 (4th century).
It was only permitted to the Jews as sacrifice was, for the heaviness and grossness of their souls. God condescended to their weakness, because they were lately drawn off from idols; but now, instead of organs, we may use our own bodies to praise him withal.... Instruments appertain not to Christians. —John Chrysostom (church father, Eastern/Greek), Homily on Psalm 149 (4th century).
If God allowed bloody sacrifices on account of the childhood of men, why do you marvel if also the music of the kithara and psalterion was played? —Isidore (abbot of Pelusium), Epistles (4th century).
You [God’s saints] are “trumpet, psaltery, harp, timbrel, choir, strings, and organ, cymbals of jubilation sounding well,” because sounding in harmony. All these are you: let not that which is vile, not that which is transitory, not that which is ludicrous, be thought of here. —Augustine (bishop, North Africa), Commentary on Psalm 150 (A.D. 354-430).
It is time to turn to the New Testament to confirm what is said in the Old, and, particularly, to point out that the office of psalmody is not to be considered abolished merely because many other observances of the Old Law have fallen into desuetude. Only the corporal institutions have been rejected, like circumcision, the sabbaths, sacrifices, discrimination in foods. So, too, the trumpets, harps, cymbals and timbrels. For the sound of these we now have a better substitute in the music of the mouths of men. The daily ablutions, the new-moon observances, the careful inspection of leprosy are completely past and gone, along with whatever else was necessary only for a time—as it were, for children. Of course, what was spiritual in the Old Testament, for example, faith, piety, prayer, fasting, patience, chastity, psalm-singing—all this has been increased in the New Testament rather than diminished.—Nicea (bishop, Remesiana), On the Utility of Hymn Singing (5th century).
Simply singing is not agreeable to children, but singing with lifeless instruments and with dancing and clapping; on which account the use of this kind of instruments and of others agreeable to children is removed from the songs in the churches, and there is left remaining simply singing. —Theodoret (bishop, Syria), Questions and Answers to the Orthodox (5th century).
So it was not in any need of victims or craving odors that God commanded them to sacrifice, but that he might heal the sufferings of those who were sick. So he also allowed the use of instrumental music, not that he delighted in the harmony, but that he might little by little end the deception of idols. For if he had offered them perfect laws immediately after their deliverance from Egypt, they would have been rebellious and thrust away from the bridle, and would have hastened back to their former ruin. Theodoret (bishop, Syria), On the Healing of Greek Afflictions (5th century).
But our Church does not make use of musical instruments such as harps and psalteries, in the divine praises, for fear of seeming to Judaize.... As the Philosopher says (Polit. viii, 6), “Teaching should not be accompanied with a flute or any artificial instrument such as the harp or anything else of this kind: but only with such things as make good hearers.” For such like musical instruments move the soul to pleasure rather than create a good disposition within it. In the Old Testament instruments of this description were employed, both because the people were more coarse and carnal—so that they needed to be aroused by such instruments as also by earthly promises—and because these material instruments were figures of something else. —Thomas Aquinas (philosopher and doctor of theology, Roman Catholic Church), Summa Theologica (13th century).
It is not the least part of Religion, that consisteth in the pompe of ceremonies, in cloathes, in vessell, candles, bells, organs, concents, odours, sacrifices, gestures, pictures, in the choise of meates, & fasts & such other things that are in singular admiration & adoration of the unlearned people, who receive and take heed only to such things as are before their eyes. —Cornelius Agrippa (doctor of laws, member of the Roman Catholic Church, counselor to Emperor Charles V), De Vanitate Scientiarum & Artium (1510).
We have brought into our churches a certain operose and theatrical music; such a confused, disorderly chattering of some words, as I hardly think was ever heard in any of the Grecian or Roman theatres. The church rings with the noise of trumpets, pipes and dulcimers; and human voices strive to bear their part with them.... Men run to church as to a theatre, to have their ears tickled. And for this end organ-makers are hired with great salaries, and a company of boys, who waste all their time in learning these whining tones. —Erasmus (classical scholar and humanist), In Novum Testamentum...Anno-tationes (1522).
But the promise made, that “Wheresoever two or three be gathered together in my name, there shall I be in the midst of them,” condemneth all such as condemneth the congregation gathered in his name. But mark well the word “gathered;” I mean not to hear piping, singing, or playing; nor to patter upon beads, or books whereof they have no understanding; not to commit idolatry, honoring that for God which is no God indeed. For with such will I neither join myself in common prayer, nor in receiving external sacraments; for in so doing I should affirm their superstition and abominable idolatry, which I, by God’s grace, never will do, neither counsel others to do, to the end. —John Knox (Reformer, Scotland), A Declaration of the True Nature and Object of Prayer (1554).
It would be nothing but mimicry if we followed David today in singing with cymbals, flutes, tambourines and psalteries. In fact, the papists were seriously deceived in their desire to worship God with their pompous inclusion of organs, trumpets, oboes and similar instruments. That has only served to amuse the people in their vanity, and to turn them away from the true institution which God has ordained.... In a word, the musical instruments were in the same class as sacrifices, candelabra, lamps and similar things.... Those who take this approach are reverting to a sort of Jewishness, as if they wanted to mingle the Law and the Gospel, and thus bury our Lord Jesus Christ. When we are told that David sang with a musical instrument, let us carefully remember that we are not to make a rule of it. Rather, we are to recognise today that we must sing the praises of God in simplicity, since the shadows of the Law are past, and since in our Lord Jesus Christ we have the truth and embodiment of all these things which were given to the ancient fathers in the time of their ignorance or smallness of faith. —John Calvin (Reformer, Geneva), Sermons on Second Samuel (1562).
VI. That the use of organs be removed [i.e., discarded]. —From the list of demands presented by the English Puritans to the Convocation of 1563.
That they would endeavor to obtain of the magistrate the laying aside of organs, and the singing with them in the churches, even out of the time of worship, either before or after sermons. —The Synod of Holland and Zealand (1594).
Exhorting the people only to rejoice in praising God, he maketh mention of those instruments which by Gods commandment were appointed in the old Law, but under Christ the use thereof is abolished in the Church. —Marginal Notes on Psalm 150 in the Geneva Bible [compiled by various Reformed/Puritan contributors; the notes went through several revisions] (1599).
The eleventh fault they finde, is, for that wee use no Organs in our Churches.... [C]ommonly we doe therefore not use them: whilest we finde more hindrance to proceed thereof then profit, by the worship of God: and also in this case we desire to remaine by the simplicity of the Apostolicall Churches, which neither had nor used any such things in their congregations. —A Full Declaration of the Faith and Ceremonies Professed in the Dominions of the Most Illustrious and Noble Prince Fredericke, V. Prince Elector Palatine (1614).
In the Christian church the mind must be incited to spiritual joy, not by pipes and trumpets and timbrels, with which God formerly indulged his ancient people on account of the hardness of their hearts, but by psalms and hymns and spiritual songs. —David Paraeus (professor/theologian, University of Heidelberg), Commentary on 1 Corinthians (1618).
The PASTOR loveth no music in the house of God but such as edifieth, and stoppeth his ears at instrumental music, as serving for the pedagogy of the untoward Jews under the law, and being figurative of that spiritual joy whereunto our hearts should be opened under the gospel.
The PRELATE loveth carnal and curious singing to the ear, more than the spiritual melody of the gospel, and therefore would have antiphony and organs in the cathedral kirks, upon no greater reason than other shadows of the law of Moses; or lesser instruments, as lutes, citherns, or pipes, might be used in other kirks. —David Calderwood (minister and church historian, Church of Scotland), The Pastor and the Prelate or Reformation and Conformity Shortly Compared (1628).
The first question was, If the Primitive Church had such chaunting Idol-service, as is in our Cathedrall Churches? The Rejoynder after some words spent about singing, (about which he bringeth not the least resemblance of that in question, untill the fourth age after Christ) excepteth first, that Organall musicke was gods ordinance in the old Testament, and that not significant, or typicall; and therefore is sinfully called Idol-service. 2. That all men whose hearts are not averse, by distraction, stupidity, or prejudice, feele such musicke to worke much upon their affections. To this I say 1. That his denying of Organall musicke to have beene significant or typicall, is without reason, and against the current of our Divines; taken (as it may seeme) out of Bellarmine (de missa. Lib. 2. Cap. 15.) who useth this evasion against those words of P. Martyr: Musicall organs perteyne to the Jewish Ceremonie, and agree no more to us, than Circumcision. So that we may neglect it, and take him as saying, that nothing which was ordained in the old Testament (no not sacrificing beasts) is now an Idol-service. 2. For that, and the other, both together, it is fit the Rejoynder should be put in minde how many, and what kinde of men, he accuseth of distraction, stupidity or prejudice! —William Ames (English Puritan), A Fresh Suit Against Human Ceremonies in God’s Worship (1633).
[C]ertainly the singing of Davids psalmes was an acceptable worship of God, not only in his owne, but in succeeding times. As in Solomon’s time 2 Chron. 5.13. in Jehosaphats time 2 Chron. 20.21. in Ezra his time Ezra 3.10,11. And the text is evident in Hezekiahs time they are commanded to sing praise in the words of David and Asaph, 2 Chron. 29.30 which one place may serve to reesolve two of the questions (the first and the last) at once, for this commandement was it ceremoniall or morall? Some things in it indeed were ceremoniall, as their musicall instruments &c but what ceremony was there in singing praise with the words of David and Asaph? What if David was a type of Christ, was Asaph also? Was everything of David typicall? Are his words (which are morall, universall, and perpetuall authority in all nations and ages) are they typicall? What type can be imagined in making use of his songs to praise the Lord? If they were typicall because the ceremony of musicall instruments was joined with them, then their prayers were also typicall, because they had that ceremony of incense admixt with them: but we know that prayer then was a morall duty, notwithstanding the incense; and soe singing those psalmes notwithstanding their musicall instruments. —Richard Mather (New England Puritan), Preface to The Whole Booke of Psalmes Faithfully Translated into English Metre [i.e. the Bay Psalm Book] (1640).
The Jewish Church, not as it was a church but as it was Jewish, had an High Priest, typifying our great High Priest, Jesus Christ. As it was Jewish, it had musicians to play upon harps, psalteries, cymbals and other musical instruments in the temple. —George Gillespie (minister, Church of Scotland; Westminster divine), Assertion of the Government of the Church of Scotland (1641).
[W]e cannot but admire the good hand of GOD in the great things done here already, particularly; That the Covenant (the Foundation of the whole Work) is taken; Prelacie and the whole train thereof, extirpated; The Service-Book in many places forsaken, plain and powerful preaching set up; Many Colledges in Cambridge provided with such Ministers, as are most zealous of the best Reformation; Altars removed; The Communion in some places given at the Table sitting; The great Organs at Pauls and of Peters in Westminster taken down; Images and many other monuments of Idolatry defaced and abolished. —John Maitland, Alexander Henderson, Samuel Rutherfurd, Robert Baillie and George Gillespie (the Scottish delegates to the Westminster Assembly), The Letter from the Commissioners at London to the General Assembly (1644).
We were greatly refreshed to hear by Letters from our Commissioners there with you...of the great good things the Lord hath wrought among you and for you...many corruptions, as Altars, Images, and other Monuments of Idolatry and Superstition removed...the great Organs at Pauls and Peters taken down. —General Assembly of the Church of Scotland (in an official letter to the Church of England), The General Assemblies Answer to the right Reverend the Assembly of Divines in the Kirk of England (1644).
But it hath been often said, Take away the Common Prayer Book, take away our Religion. Nay, our Religion is in the Bible, there is our God, and our Christ, and our Faith, and our Creed in all points. The whole Bible was Paul’s belief; there are the Psalms of David, and his Prayers, and the Lord’s Prayer, and other prayers, by which we may learn to pray. We have still the Lord’s Songs, the Songs of Zion, sung by many with grace in their hearts, making melody to the Lord, though without organs. There we have all the commandments. —Samuel Gibson (minister, Church of England; Westminster divine), The Ruin of the Authors and Fomentors of Civil Wars (1645).
God’s spirit worketh not with Ceremonies, and so they are as the offering of Swine’s blood, and the slaying of a man; and so Abomination to God, Isa. 66:1,2. The holy spirit is merited to us by Christ, Joh. 16:14. He shall receive of mine, and shew unto you: But who can say that the grace of joy in the holy Ghost, wrought by the droning of Organs, and the holinesse taught by the Surplice, is a work of the spirit merited by Christ as our High Priest?... Now Altars, Organs, Jewish Ephods, or Surplice, Masse-cloaths, and Romish Crossing, bowing to Altars, Images, are badges of Jewish and Popish Religion. —Samuel Rutherford (minister and professor, Church of Scotland; Westminster divine), The Divine Right of Church Government and Excommunication (1646).
Singing with Instruments was typical, and so a ceremonial worship and therefore is ceased. —John Cotton (minister, New England Puritan), Singing of Psalmes a Gospel-Ordinance (1647).
Albeit the typical ceremonies of musical instruments in God’s public worship, belonging to the pedagogy of the church, in her minority before Christ, be now abolished with the rest of the ceremonies; yet the moral duties shadowed forth by them, are still to be studied, because this duty of praising God, and praising him with all our mind, strength, and soul, is moral, whereunto we are perpetually obliged. —David Dickson (minister, Church of Scotland), Explications of the Psalms (1655).
He tells us next, that there is no warrand in the New Covenant for Organs (which I plead not for, nor for any such instrument). —John Brown, of Wamphray (minister, Church of Scotland/exiled to Rotterdam during the Restoration), Quakerisme: The Path-way to Paganisme (1678).
The praisers, who were of the sons of men, are described (1.) as having harps; (2.) golden vials: in allusion to the Levitical service in the temple, where they had musical instruments, and incense in bowls or vials, which, Zech. 14:20, are called “the bowls of the altar.” Not that musical instruments are to be in the worship of God now, neither incense; which, as it was the type of prayer and praises, Ps. 141:2, “Let my prayer come up before thee as incense;” so those harps were of that “spiritual melody,” as the Apostle calls it, which we make in our hearts to God, even of “spiritual songs,” Eph. 5:19. —Thomas Goodwin (minister, Independent Puritan; president Magdalen College, Oxford; Westminster divine), An Exposition of the Revelation (1683).
As for church music, for organs, and the like, those primitive ages were wholly ignorant of them; for it cannot rationally be conceived, that in those days of continual persecution or violence, they could either use or preserve them; all that they looked after was, to sing in “rhyme, metre, tune, and concent,” to offer up unto God the praises of their voices, lips, and mouths, which Clemens Alexandrinus thinks was emblematized or shadowed forth by those musical instruments mentioned in Psalm 150, where, saith he, “we are commanded to praise God on the psaltery, that is, on the tongue, because the tongue is the psaltery of the Lord; and to praise him on the harp, by which we must understand the mouth; and to praise him on the loud sounding cymbals, by which the tongue is to be understood, which sounds or speaks through the knocking or coition of the lips.” —Peter King (Lord High Chancellor of England; member, Church of England), An Inquiry into the Constitution, Discipline, Unity, and Worship, of the Primitive Church (1691)
I. The instrumental musick used in the old church of Israel was an institution of God: it was (2 Chron. 29:25) the commandment of the Lord “by the prophets.” And the instruments are called “God’s instruments,” (1 Chron. 16:42), and “instruments of the Lord,” (2 Chron. 7:6). Now, there is not one word of institution in the New Testament for instrumental musick in the worship of God. And because the holy God rejects all He does not command in His worship, He now therefore in effect says unto us, “I will not hear the melody of thy Organs.” But on the other side, the rule given doth abundantly intimate that no voice is now to be heard in the church, but what is significant and edifying, by signification; which the voice of instruments is not.
II. Tho’ instrumental musick were admitted and appointed in the worship of God under the Old Testament, yet we do not find it practised in the synagogue of the Jews, but only in the temple. It thence appears to have been a part of the ceremonial pedagogy, which is now abolished; nor can any say it was a part of moral worship. And whereas the common usage hath now confined instrumental musick to cathedrals, it seems therein too much to Judaize; which to do is a part of the Anti-Christian apostacy, as well as to Paganize.
III. In our asserting a matter of the Old Testament to have been typical, ’tis not needful that we be always able to particularize any future mysteries of the New Testament therein referred unto; truths which were then of a present consideration, were sometimes represented in the types then used among the people of God, which helps to understand the case of instrumental musick.
IV. Instrumental musick in the worship of God is but a very late invention and corruption in the church of the New Testament. The writings that go under the name of Justin Martyr deny it and decry it. Chrysostom speaks meanly of it. Even Aquinas himself, about 400 years ago, determines against it, as Jewish and carnal. Bellarmine himself confesses that it was but late received in the church.
V. If we admit instrumental musick in the worship of God, how can we resist the imposition of all the instruments used among the ancient Jews?—yea, dancing as well as playing, and several other Judaic actions? or, how can we decline a whole rabble of church-officers, necessary to be introduced for instrumental musick, whereof our Lord Jesus Christ hath left us no manner of direction? —Cotton Mather (minister, New England Puritan), Magnalia Christi Americana (1702).
[C]ertainly a man must be blind, who does not see, that trumpets, harps, and such like musical instruments, belonged to the pomp and ceremony of the Jewish worship. Now all these thing are abrogated, together with the law that appointed the worship; unless any of them appear afresh injoined by some particular command. —James Peirce (minister, English nonconformist/Presbyterian), A Vindication of the Dissenters (1718).
It is...objected that those arguments which have been taken form the practice of the Old Testament church, to prove singing an ordinance, may, with equal justice, be alleged to prove the use of instrumental music in religious worship; since we very often read of their praising God with ‘the sound of the trumpet, psaltery, harp, organ,’ and other musical instruments. This is the principle argument brought for the use of musical instruments by those who defend it and conclude it an help to devotion. But, though we often read of music being used in singing the praises of God under the Old Testament; yet if what has been said concerning its being a type of that spiritual joy which attends our praising God for the privilege of that redemption which Christ has purchased, the objection will appear to have no weight, the type being now abolished, together with the ceremonial law. Besides, though we read of the use of music in the temple-service, yet it does not sufficiently appear that it was ever used in the Jewish synagogues; the mode of worship observed in which more resembled that which is at present performed by us in our public assemblies. But what may sufficiently determine this matter, is that we have no precept nor precedent for it in the New Testament, either from the practice of Christ, or his apostles. Some, indeed, allege that the absence of any such precept or precedent overthrows the ordinance of singing, and pretend that this ought to be no more used by us than the harp, organ, or other musical instruments. But it might as well be objected that, because incense, which was used under the ceremonial law, together with prayer in the temple, is not now to be offered by us, prayer ought to be laid aside; which is, as all own, a duty founded on the moral law. —Thomas Ridgeley (minister, English nonconformist), A Body of Divinity: Wherein the Doctrines of the Christian Religion are Explained and Defended, Being the Substance of Several Lectures Upon the Assembly’s Larger Catechism (1731-32).
No such things in Christ’s service, by his appointment, as liturgies, litanies, church music, organs, flutes, violins, singing of prayers, anthems, or collects; no burning incense, odours, tapers, and candles upon altars; no cringings, crossings, kneelings at altars, bowing to the east; but praying in the spirit, and praising in the spirit, receiving the Lord’s supper, the bread and the wine, according to his institution, without any of their pagan and papal inventions and superstitions. —Thomas DeLaune (English nonconformist/Baptist), A Plea for the Non-Conformists (1733).
Q. Is there any other sin forbidden in the second command, besides idolatry, or the worshipping of God by images?
A. Yes; namely the sin of superstition or will-worship.
Q. What do you mean by that?
A. Men’s presuming to worship God by means of their own devising, adding human inventions to God’s institutions, or contriving other ways to serve and worship God than what he hath appointed or warranted in his word.
Q. Who are guilty of this sin?
A. All these who add new sacraments to the two of Christ’s institution, or these who add the sign of the cross to baptism, the posture of kneeling to the Lord’s supper, the keeping of holy-days to the Lord’s day, playing with organs to the singing of the voice, reading of a book to prayer; or who erect altars, pictures or crosses in places of worship, and bow unto them, or bow to the east, and at the name of Jesus, and the like. All these are superstitious inventions in God’s worship, and human additions to God’s institutions, without any warrant in his word, and therefore against the second command. —John Willison (minister, Church of Scotland), An Example of Plain Catechising, Upon the Assembly’s Shorter Catechism (1737).
Q. May we not use harps, organs, and other musical instruments in praising God? A. No, for these, though used in the temple services, were not used in the Jewish synagogues, nor in the New-Testament worship, nor are suited to the spiritual nature of it, John 4:23,24. —John Brown, of Haddington (minister and professor, Associate [Burgher] Church of Scotland), A Help for the Ignorant; or An Essay, Towards an Easy, Plain, Practical, and Extensive Explication of the Assembly’s Shorter Catechism (1758).
No suitable endeavours are used to prevent the growth of atheism, idolatry and superstition: and though prelacy, as well as popery, is growing apace in the lands, and organs publicly used in that superstitious worship; yet no testimony is given against them, but new modes introduced into the worship of God, for carnal ends, as a gradual advance toward that superstition. —The Reformed Presbytery (Old Dissenters/Cameronians/Covenanters), Act, Declaration, and Testimony, for the Whole of our Covenanted Reformation, as Attained to, and Established in, Britain and Ireland, Particularly Betwixt the Years 1638 and 1649, Inclusive (1761).
We find no footsteps of using musical instruments in singing God’s praise, in the New Testament.... The use of musical instruments in the worship of God is but a modern invention. Their warmest advocates cannot pretend to find them in the Christian church before the year 660. —Archibald Hall (minister, Associate [Anti-Burgher] Church of Scotland), Gospel-Worship. Being an Attempt to Exhibit a Scriptural View of the Nature, Obligations, Manner, and Ordinances, of the Worship of God, in the New Testament (1770).
The simplicity and spirituality of gospel-worship is further depraved, by what is called antiphonal singing; by chanting of prayers, and instrumental music. —Adam Gib (minister, Associate [Anti-Burgher] Church of Scotland), The Present Truth: A Display of the Secession Testimony (1774).
We wish not to be rigorous or uncandid: but when we see Christians deceived through the subtilties and devices of satan, turned aside from their duty, and cheated out of their privileges; why should we be silent? The use of the organ and other instruments of music in the Jewish church, was agreeable enough to a worldly sanctuary, and the pomp of ceremonial worship; but does not accord so well with the spiritual nature of the New Testament. —Associate Reformed Synod (merger of some Associate Presbyterians and Reformed Presbyterians, in 1782), A Draught of an Overture, Prepared and Published by a Committee of the Associate Reformed Synod, for the Purpose of Illustrating and Defending the Doctrines of the Westminster Confession of Faith, According to an Appointment of Said Synod (1787).
As the use of musical instruments, in public worship, has no sanction in the New Testament, nor in the practice of the Christian church for several hundred years after its erection, it shall not be introduced, under any form, into any of the churches. —The Associate Reformed Synod, The Government, Discipline, and Worship, of the Associate Reformed Church in North America. (1799).
[The Church of England] makes it imperative for her ministers to conduct worship of God in fantastic garments (one of which, the surplice, was originally worn by the Pagan priests, and introduced into the Church of Rome by Pope Adrian, in 796) and within consecrated walls—she has even encumbered the ordinance of marriage with absurd rites—employs instrumental music in the worship of God—uses vain repetitions and unmeaning responses in some of her most solemn devotional exercises—and, not farther to enumerate, she has appointed upwards of one hundred and fifty holidays to be annually observed.
Such is the specimen of the rites and ceremonies of the Church of England, and we object to them in toto, as superstitious and unscriptural, as wantonly violating christian liberty, and as involving the observers of them in the guilt of symbolizing with idolaters. —Thomas Neilson (minister, Reformed Presbyterian Church, Scotland), “Evils, Constitutional and Practical, of the Prelatic Establishment of the British Empire,” in Lectures on the Principles of the Second Reformation (1841).
The opinions expressed above, on the subject of instrumental music, are adverse, as is well known, to those which have prevailed, and continue to prevail in the Presbyterian church. As a calm and guarded vindication of the practice which we would by no means be understood to recommend, we have given place to expressions from which our readers, no less than ourselves, may choose to dissent. —Charles Hodge (professor, Princeton Theological Seminary; editor Biblical Repertory [later Princeton Review]), footnote to an article entitled “Church Music” by Francis A. Ewing which appeared in the Biblical Repertory (1843).
So to those who have no real devotion or spirituality in them, and whose animal nature flags under the oppression of church services, I think with Mr. G— that instrumental music would be not only a desideratum, but an essential prerequisite to fire up their souls to even animal devotion. But I presume, to all spiritual-minded Christians, such aids would be as a cowbell in a concert. —Alexander Campbell (minister and co-founder of the Christian Church [i.e. Campbellites]), in The Millennial Harbinger (1851).
But the grand objection to the use of instrumental music, in the manner herein objected to, is that it is contrary to the express will of God, as shown by his positive institutions for his own praise.... [A]bove all instruments the organ is liable to this great objection, to wit, that it has been, more than all others united, the great engine in corrupting the public praise of God, and has been, for centuries together, one of the peculiar devices of the Papists to seduce mankind into attendance upon their superstitious and idolatrous worship.... [F]or many years I have refused even to be present, much less to preach in any Presbyterian church, where musical instruments were used—except they were silenced when I officiated.—Robert J. Breckinridge (minister, Presbyterian Church, US [Southern]/professor, Danville Theological Seminary), “Protest Against the Use of Instrumental Music in the Stated Worship of God on the Lord’s Day,” in The Presbyterian Herald (1851).
While many who employ [the organ] consider themselves the very champions of Protestantism, it will be long, long indeed, before they uproot Popery by this regulator of choirs; and while nothing has ever proved more annoying to Papists than the singing of Psalms in a congregational manner, the playing of all the heretical organs in Christendom causes to them comparatively little sorrow.
On the contrary, the cross surmounting a Protestant meeting house, and the swelling tones of the organ within, give to her sons the hope that “holy mother” may yet receive these errorists, who are, at least, so far rejoicing under her shadow, and becoming familiar with her “image and superscription.” —Alexander Blaikie (minister, Associate Reformed Church/later United Presbyterian Church), The Philosophy of Sectarianism (1854).
The outward forms of religion became gradually more and more imposing. From the ancient temples the incense and many ancient customs of heathenism were transferred to the churches. By the use of tapers and perpetual lamps, the solemnity of nocturnal festivals was combined with the light of day.... Soon after, in face of continual opposition to all instrumental music, the organ,...was brought to Italy from Greece. —Karl Hase (professor of theology, Jena, Germany), A History of the Christian Church (1855).
Let the Papists, who believe in temples, priests and sacrifices, stick to their organs; let not the freemen of the Lord, who have boldness to enter into the holiest of all through the blood of the Son of God, who has passed into the heavens, borrow their pitiful machinery. We prefer the synagogue to the temple. —Thomas E. Peck (minister, Presbyterian Church, US [Southern]/professor, Union Theological Seminary), “General Principles Touching the Worship of God,” in The Presbyterial Critic (1855).
As the use of musical instruments in the worship of the New Testament Church has no sanction in the Bible, they shall not be introduced, in any form, in any of our congregations. —United Presbyterian Church of North America, from “Singing of Praise” in The Directory for Worship (1858).
Staunch old Baptists in former times would as soon have tolerated the Pope of Rome in their pulpits as an organ in their galleries, and yet the instrument has gradually found its way among them, and their successors in church management, with nothing like the jars and difficulties which arose of old concerning the bass viol and smaller instruments of music. —David Benedict (historian, Baptist), Fifty Years Among the Baptists (1859).
In the church, as well as in the synagogue, the whole congregation joined in the singing; but instrumental music was never brought into requisition. The early Christians believed that the organs of the human voice are the most appropriate vehicles for giving utterance to the feelings of devotion; and viewing the lute and the harp as the carnal ordinances of a superannuated dispensation, they rejected their aid in the service of the sanctuary. Long after this period one of the most eminent of the ancient fathers describes the music of flutes, sackbuts, and psalteries of the temple worship as only befitting the childhood of the Church. —W. D. Killen (minister, Irish Presbyterian Church), The Ancient Church: Its History, Doctrine, Worship, and Constitution, Traced for the First Three Hundred Years (1859).110
Lowell Mason [noted 19th-century hymn writer and worship leader in Alexander’s congregation for four years] said to me t’other day: “I have been an organist all my life; yet if a congregation should say to me, ‘Shall we have an organ?’ I should scarcely dare to reply ‘Yes.’” —James W. Alexander (minister, Presbyterian Church, USA), “Letter to John Hall, dated New York, May, 1854,” in Forty Years’ Familiar Letters of James W. Alexander, D.D. (1860).
It is notorious that the Reformed Church of Scotland rejected the use of Instrumental music in its worship; and if some encroachments were made upon this principle during the Episcopal period, they were clearly the result of compulsion, and contrary to the preferences of the body of the people. [David] Calderwood connects the first introduction of organs into Scotland with the reign of King James I. During the period of about 130 years which preceded the Reformation it is not likely, considering the poverty of the country and the turbulent course of the national history, that these instruments had ever been very generally diffused; and this may assist in explaining the fact that the Reformers seem to have experienced little difficulty in setting them aside. In adopting this course they were doubtless moved, partly by the conviction that it was in accordance with the teaching of the New Testament and the spirit of the Christian dispensation, and partly by the revulsion arising from the glaring abuses prevalent in Popish worship. Similar views were entertained by a large party in England. As early as 1536 a protestation to the king, by the clergy of the Lower House, in the province of Canterbury, styles “the playing at the Organes a foolish vanitie.” Several subsequent attempts to effect their removal are recorded, one of which failed in the Lower House of Convocation only by a single vote. And so late as 1586 a pamphlet, representing the sentiments of the puritans, proposes, “that all Cathedral Churches may be put down where the service of God is grievously abused by piping with organs, singing, ringing, and trowling of psalms from one side of the choir to another,...imitating the fashion and manner of Antichrist the Pope, that man of sin,” &c. —Neil Livingston (minister, Free Church of Scotland), The Scottish Metrical Psalter of A.D. 1635 (1864).
Our modern advocates for instrumental music in God’s worship, to be consistent, must associate with the “harps,” the “incense-cups” and the “golden altar:” for all belonged alike to the service of the temple. —David Steele (minister, Reformed Presbyterian Church, Covenanted), Notes on the Apocalypse (1870).
In the same name and by the same authority, that of the Lord Christ, I debar ministerially all impenitent violators of the second commandment; all who, while they professedly worship the true God, do not recognize and act upon the principle that God alone has the right to prescribe the institutes of his own worship;…who worship God by proxy, with choirs111 and organs. All so sinning and not repenting, are forbidden to approach the table of the Lord. —S. Bowden (minister, Reformed Presbyterian Church in North America), “Debarring and Inviting Service,” in Memorial Volume. Covenant Renovation by the Synod of the Reformed Presbyterian Church in North America. Published by Order of the Synod (1872).
The Judaizers of old, it is true, insisted on circumcision and keeping the law of Moses, as necessary to salvation. The Instrumentalists do not profess to regard the use of an instrument as possessed of such stupendous importance. We certainly owe them no thanks for that. But, short of this, and so far as there is any analogy in the case, it is all the other way from what they appear to conceive. It is they, not we, that are in the place of the Judaizers; and we have the apostle on our side, not they.... We are far from regarding the agitation on behalf of instruments in worship of small significance, were it for nothing else than as a sign of the times, an index to the proclivities of the age in which we live. —Robert Nevin (minister, Reformed Presbyterian Church in Ireland), Instrumental Music in Christian Worship (1873).
Instrumental music is contrary to the spirit and teachings of the New Testament. “God is a spirit.” They that worship him must do so in spirit and in truth. Paul says, “I will sing with the spirit, and I will sing with the understanding also.” An instrument has no spirit; it has no understanding. The human voice has conjoined with it both spirit and understanding.... God has drawn the line for us when he says, “I will sing with the spirit,” not with the organ. If we may sing with an instrument, then we may pray with an instrument; and those who make the cross and count the beads for prayer are right. If it is right to sing with an instrument, then it is right to pray with an instrument, it is right to preach with an instrument, right to hear and worship God with an instrument, or by proxy.... If we commence using machines in the worship of God, we may go forward with our inventive genius, until the whole of worship of God’s house is automatic.... And if we insist upon an organ as a help in devotion, we ought not to object to other helps. We ought to follow our argument out to its legitimate conclusion, and have our places of devotion adorned with paintings and drawings of persons and scenes calculated to awaken devotional feelings.... We object to the use of instruments in the devotional exercises of God’s house, because it is evidently will-worship, which is condemned in the word of God. (Col. 2:23).... Any invention or practice, in the worship of God, beyond what he has declared as acceptable to him, is denominated WILL-WORSHIP. Having no foundation in the word of God, it must be based in the will of man, and is, properly, not divine worship, but mere will-worship, for which God does not thank any man. It will be well if we observe what he has commanded. —John V. Potts (minister, United Brethren Church), Christian Co-operation in Actual Life; or, “United Brethren in Christ” (1874).
In the Greek Church the organ never came into use. But after the eighth century it became more and more common in the Latin Church; not, however, without opposition from the side of the monks. Its misuse, however, raised so great an opposition to it that, but for the Emperor Ferdinand, it would probably have been abolished by the Council of Trent. The Reformed Church discarded it; and though the Church of Basel very early reintroduced it, it was in other places admitted only sparingly, and after long hesitation. —Albert Hauck (professor of theology, Erlangen, Germany), “Organ” in A Religious Encyclopaedia: or Dictionary of Biblical, Historical, Doctrinal, and Practical Theology [i.e., Schaff-Herzog] (1883).
In regard to the musical part of divine worship, this synod [Synod of Drenthe], as also those of 1578 [Dordrecht] and 1581 [Middelburg], inveighed in very strong language against the playing of organs before, during and after service. It was said to minister to superstition, and it was denounced as a Jewish, a heathenish, and a Papistical custom. In 1589, this question gave occasion for a bitter dispute between the ministers and the magistrates of Arnheim. —Maurice G. Hansen (minister and historian, Reformed Church in America [Dutch]), The Reformed Church in the Netherlands. Traced from A.D. 1340 to A.D. 1840 (1884).
The use of organs is ascribed to Pope Vitalian (657-672). Constantine Copronymos sent an organ with other presents to King Pepin of France in 767.... The attitude of the churches towards the organ varies. It shared to some extent the fate of images, except that it never was an object of worship.... The Greek church disapproves the use of organs. The Latin church introduced it pretty generally, but not without the protest of eminent men, so that even in the Council of Trent a motion was made, though not carried, to prohibit the organ at least in the mass. The Lutheran church retained, the Calvinistic churches rejected it, especially in Switzerland and Scotland; but in recent times the opposition has largely ceased. —Philip Schaff (professor, Union Theological Seminary, New York; Presbyterian Church, USA), History of the Christian Church (1885).
It is heresy in the sphere of worship....
It is almost inconceivable that the majority of the officers and members of the Presbyterian Church can have abandoned the consecrated principle that a divine warrant is needed for every element which enters into the worship of God’s house. Were that so, open apostasy in the department of worship would be acknowledged. But of what avail is a professed acceptance of the principle, if its application be refused? How it happens that this principle, which was construed by the Presbyterian reformers and the framers of the Westminster standards as excluding instrumental music from public worship, and was so applied by the Presbyterian Church almost universally for centuries after the Reformation, is now interpreted in such a way as to admit this Popish innovation into the once simple and evangelical services of that church, defies comprehension except upon one supposition. It is, that the Presbyterian Church is slackening her grasp upon her ancient testimonies, broadening her practice in conformity with the demands of worldly taste, and is therefore more and more treading the path of defection from the scriptural principles which she professes....
The ministers who are opposed to the unscriptural movement are, many of them at least, indisposed to throw themselves into opposition to its onward rush. They are unwilling to make an issue with their people upon this question. They are reluctant to characterize the employment of instrumental music in public worship as a sin. But a sin it is, if there be any force in the argument which opposes it. The people ought to be taught that in using it they rebel against the law of Christ, their King. —John L. Girardeau (minister, Presbyterian Church, US [Southern]/professor, Columbia Theological Seminary), Instrumental Music in the Public Worship of the Church (1888).
That a denomination, professing like ours to be anti-prelatic and anti-ritualistic, should throw down the bulwarks of their argument against these errors by this recent innovation appears little short of lunacy. Prelatists undertake every step of the argument which these Presbyterians use for their organs, and advance them in a parallel manner to defend the re-introduction of the Passover or Easter, of Whitsuntide, of human priests and priestly vestments, and of chrism, into the gospel church. —Robert L. Dabney (minister, Presbyterian Church, US [Southern]/professor, Union Theological Seminary, Virginia), “Review of Girardeau’s ‘Instrumental Music in Public Worship,’” in The Presbyterian Quarterly (1888).
Its use in the worship of God is not opposed on the ground that there is no taste for the music itself. The bewitching strains of the organ, piano, violin, etc., are equally as pleasing and attractive to many of its opponents as they are to any who advocate its use. Why, then, oppose it? Simply because God has not appointed it in His worship, but has appointed music of another kind. God has no more plainly said, eat bread on the Lord’s table than He has said use vocal music in the worship. In Eph. 5:19, Paul says: “Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord”; and Col. 3:16: “Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another with psalms and hymns and spiritual songs, singing with grace in your hearts unto God”; and Jesus and His disciples sang a hymn at the institution of the Lord’s Supper, Matt. 26:30. Hence, by both precept and example, vocal music is appointed in the worship of God.... But it is claimed that the Lord has not forbidden instrumental music. Neither has He forbidden meat on the Lord’s table, except by telling us to eat something else; and in the same way He has forbidden instrumental music by telling us to use another kind. —M. C. Kurfees (minister and professor, Church of Christ), Walk by Faith: Origin of Instrumental Music in Christian Worship (1894).
With the temple service the use of instruments seems to have ceased. We think of Christ and His disciples as singing without instruments in the upper-room at Jerusalem. We think of Paul and Silas as praising God with unaided voices in the inner prison.... The revival of their use in the primitive Church, it could easily be shown, was coincident with the general decline in spirituality, and an exaltation of the human in matters pertaining to religion. —S. G. Shaw (minister, Reformed Presbyterian Church of North America), “The Praise-Service of the Church,” in First International Convention of Reformed Presbyterian Churches (1896).
John 4:24: “God [is] a Spirit; and they that worship him, must worship [him] in spirit and in truth.” See also Phil. 3:3; Gal. 3:3,9; Col. 2:8,20-23. This is the great rubric given by the Lord Himself. Worship acceptable to Almighty God is to be rendered solely in a genuine spiritual manner.... With these Scriptures before us, it might be well to enquire where we can find Scriptural use for organs, choirs, anthems, and the various decorations so much in vogue at the present time. Instrumental music is nowhere alluded to in the New Testament as any help whatever to public worship, neither is it mentioned as being used in the first three centuries of the Christian era. —William Sykes (Vicar, Church of England; first president of the Sovereign Grace Union), The Salt of the Covenant (1908).
Gradually he [Simon Sulzer] introduced more and more of Lutheranism into Basle. Thus he introduced lay-baptism, a distinctively Lutheran custom and not at all Reformed. He also introduced communion of the sick, which many of the Reformed, especially in Switzerland, opposed at that time. On Palm Sunday, 1558, he introduced four-part music in the cathedral at Passion week and had the organ played, assisted by flute and kettle-drum. All this was regarded with suspicion by the Reformed. For, although Basle, had...kept up singing since the reformation, four-part music instead of singing in one part was an innovation, as was the use of the organ, which had been closed up to that time. —James I. Good (minister and professor, Reformed Church [German], US), History of the Swiss Reformed Church Since the Reformation (1913).
The question of instrumental music had little impact during [John] Wesley’s life. In the open air meetings the great volume of sound would have drowned out any accompaniment, as it often drowned out the voices of those sent to break up the meetings. And in none of the chapels were the circumstances of the people such as to make likely any proposal to install an organ. The bass-viol seems to have been first introduced, as a support to the leader’s voice. The clarionet and other instruments followed, as was the custom in the parish churches also. Not more than three chapels introduced the organ while Wesley lived. The Minutes of 1796 prohibit organs until proposed by the Conference. The Minutes of 1808 show that some had already been introduced, but consent is refused to the erection of any more. The introduction of an organ in Brunswick Chapel, Leeds, produced bitter controversy and a secession of “Protestant Methodists,” whose protest was against instrumental music. —Louis F. Benson (hymn-writer and historian of hymnody; member, Presbyterian Church, USA), The English Hymn: Its Development and Use in Worship (1915).
The use of instrumental music is a corruption of the spiritual worship of the New Testament. It is not enough to say that it is out of harmony with it. It is a positive hindrance, and destroys its purity. —R. J. George (minister and professor, Reformed Presbyterian Church of North America), Lectures in Pastoral Theology: The Covenanter Vision (1917).
The introduction of the organ and other musical instruments have been attended with agitation and often much opposition. —Willis S. McNees (minister and stated clerk, Presbytery of Butler, Presbyterian Church, USA), History of Butler Presbytery (1923).
My contention is, based upon God’s declaration, that we are to sing, and accompany that with an instrument, but the instrument is mentioned in the Bible. Paul says, “Speaking to yourselves in psalms and hymns,” singing and “psalloing” in the heart, or with the heart, and thereby mentions the definite, precise, and specific instrument that shall accompany the same.... Let us not only sing by vocal expression, but let us accompany that, not, as did the heathen, upon mechanical instruments, but let us accompany that singing with melody, striking the strings—metaphorically, if you please—of the heart. That is the idea, as taught in the book of God. —N. B. Hardeman (minister, Church of Christ), Boswell-Hardeman Discussion on Instrumental Music in the Worship (1924).
The Free Presbyterian Church...rejects also the use of instrumental music in divine worship. —Committee of the Synod of the Free Presbyterian Church (separated from the Free Church of Scotland, in 1893), History of the Free Presbyterian Church of Scotland (1893-1933) (1933).
With the whole Eastern Church barring the church organ, the Church of Rome officially reflecting on its abuse, Luther only lukewarm to it, Calvin objecting to it and many good Anglican dignitaries doing the same, it will be seen that at this period the instrument was under a cloud. —Percy A. Scholes (scholar and author), The Puritans and Music (1934).
We are commanded to use the Psalms in worship, but we have no command to use instruments of music in the New Testament Church. Instruments of music formed a part of the typical and ceremonial worship of the temple, which was fulfilled and abolished by the coming of Christ. —Walter McCarroll (minister, Reformed Presbyterian Church of North America), What We Believe (1942).
The New Testament does not command the use of instruments in worship. It does command the use of the voice. “By him therefore let us offer the sacrifice of praise to God continually, that is, the fruit of our lips giving thanks to his name.” Heb. 13:15. It would seem that the Apostle thought it was necessary to define what he meant by “the sacrifice of praise to God,” for he said, by way of explanation, “that is, the fruit of our lips.”
The New Testament Church was patterned after the Synagogue, not after the Temple. Instrumental music was not used in the synagogue services. To this day Orthodox Jews do not use instruments of music in their worship. —J. Boyd Tweed (minister and professor; Reformed Presbyterian Church of North America), The Communicants’ Class (1942).
Distaste for organs, distaste for hymns, and distaste for part-singing were the typical marks of Calvinist church music. —Robert M. Stevenson (professor, University of California), Patterns of Protestant Church Music (1953).
We believe in and accept the standards of the Reformed Presbyterian Church of North America as being in agreement with and founded upon the Scriptures. In particular we believe in the Reformed faith, emphasizing the sovereignty of Christ, the Presbyterian form of church government, and the New Testament pattern of worship, with its exclusive use of the Psalms, sung a capella. —Synod and members of the Reformed Presbyterian Church of North America, “Covenant of 1954” in Synod’s Memorial Volume of the Covenant of 1954 (1954).
Instrumental music is a hindrance to pure spiritual worship, as its object is to afford a refined sensual enjoyment, pleasure and entertainment. Listening to the skill of the musician and appreciating the creative genius of a composer is certainly not conducive to spiritual worship, as it excites emotions that conflict with the sensitiveness of spiritual mindedness, and is therefore inconsistent with the nature of pure spiritual worship. The ecclesiastical rites and ceremonies of Israel were dispensed with as unsuited to the nature of spiritual worship. —Arthur Allen (minister, Presbyterian Church of Eastern Australia), Writings and Addresses (1964).
[T]here is...no place in the New Testament which clearly states that the Church had any set order of service, and very little information is supplied to us about the outward forms which were in use. The use of musical instruments is a case in point. While there are allusions made to certain instruments (for example, the harp or lyre, the pipe, the cymbal, the trumpet—and possibly the ‘noisy gong’ of 1 Corinthians 13:1), there is no certainty that any of these were actually used. The balance of probability is against such use. —Ralph P. Martin (professor, Fuller Theological Seminary; Baptist), Worship in the Early Church (1964).
Musical instruments were appointed not for the ordinary worship of the Jew, but for the figurative worship of the temple, where the Levitical orchestras accompanied priestly singing.... The ordinary worship of the Jew was that of the synagogue, and it was always unembellished.... In the synagogue where there was congregational singing, there was no musical instrument.... Nevertheless, there is a very degraded form of Christianity which has an order of sacrificing priests, altars, incense, elaborate services of music, other features of the temple worship and, as an anomaly, bloodless sacrifices. —M. C. Ramsay (minister, Presbyterian Church of Eastern Australia), Purity of Worship (1968).
The priority of the words and the form of rendition ensured that the singing was done without instrumental accompaniment. Indeed, an instrument had no function in these simple chants with their emphasis on the content of praise. There is no certain evidence of the use of instruments in the Christian liturgy until the later Middle Ages. Because of the associations of musical instruments with immorality in the pagan world, the church fathers took a very dim view of them in any setting and allegorized the Old Testament references to instruments in worship. —Everett Ferguson (professor, Abilene Christian College), Early Christians Speak: Faith and Life in the First Three Centuries (1971).
God has not commanded us to use musical instruments in New Testament worship. We have seen that God did not authorize (command) the use of musical instruments until the time of Moses (even if we consider the trumpets used in the Tabernacle to be instruments of music). When they were authorized (commanded) they were clearly a part of the shadowy ceremonial system. And even in the Old Testament period, worship (except that which was performed by the priests and Levites at the Temple in Jerusalem) was commonly offered without musical instruments. Worship in the ancient synagogue was always devoid of such. So was the worship of the early Church. Never in the New Testament do we find mention of their use. What we do find is an abundance of teaching to the effect that the whole system of Tabernacle and Temple worship (shadowy and typical in nature) has been abolished. It follows, therefore, that the use of musical instruments is not authorized in the worship of the Church today. —G. I. Williamson (minister, Orthodox Presbyterian Church), “Instrumental Music in Worship: Commanded or Not Commanded?,” in The Biblical Doctrine of Worship (1974).
logical skeleton of the case which is raised against the practice of
instrumental music can be stated briefly, as follows:
The Psalms are to be sung without the accompaniment of instruments, which are not part of the New Testament pattern of worship. Musical instruments were commanded for use with the offering of sacrifices in the Old Testament temple worship. The death of Christ being the perfect and final sacrifice brought an end to this way of worship. There is neither command for nor example of the use of musical instruments in the words or practice of Christ and the apostles. The command of the New Testament is to offer the sacrifice of praise—the fruit of our lips. —Synod of the Reformed Presbyterian Church of North America (Chapter 21; section 6), The Testimony of the Reformed Presbyterian Church of North America (1980).
There is no warrant for instrumental accompaniment to the singing in New Testament worship. In Hebrews 13:15, Christians are called upon to “offer the sacrifice of praise to God continually, that is, the fruit of our lips giving thanks to His name.” It seems clear that the constitution and form of worship of the New Testament Church were patterned after the Synagogue which did not have instrumental music and not after the Temple, which did as part of its sacrificial ritual (2 Chron. 29:27-30). If we are to follow the pattern of worship of the New Testament Church, which is our standard, our praise in worship will consist of psalms sung without instrumental accompaniment. —Reformed Presbyterian Synod (of Ireland), Testimony of the Reformed Presbyterian Church of Ireland (1990).
A Review and Commentary
by Kevin Reed112
upon Worship in Spirit and Truth, (John Frame [Phillipsburg, NJ: Presbyterian
and Reformed, 1996]).
Reviewing a book like this is a frustrating exercise in several respects.
First, there is the matter of definitions. Frame claims to embrace the regulative principle, the Westminster Confession, and other historic formulations of reformed worship. Yet, upon close examination, the reader will find that Frame has actually departed from the historic parameters of Reformed worship
Second, Frame’s methods of establishing his own practices of worship are cursory at best. Numerous proof texts are parenthetically scattered throughout the pages of his book; yet, he does not provide a careful exegesis of these scripture references to demonstrate how they support his more controversial conclusions. Perhaps we cannot expect a detailed exposition of the Bible in a slim Sunday school manual. Nevertheless, readers should ponder the scriptures carefully, instead of assuming that the parenthetical texts actually provide support for the propositions adjacent to them.
Third, Frame raises so many issues with respect to both the doctrine and practices of worship, that it would take a book-length response to sort through all his aberrations and reply to them thoroughly.
Since we are called to be judicious stewards of our resources, we shall not waste precious time chasing Frame down every rabbit trail. Yet, because of the misconceptions created by Frame’s remarks on the regulative principle and the Westminster Confession, we will review the historical development of the regulative principle of worship. We will then address some of the troubling implications of Mr. Frame’s position, especially as it undermines the teaching of the Westminster Confession.
Readers interested in the biblical foundation for the regulative principle should study the Reformation documents and writings referenced in the following discussion; examine the accompanying proof-texts in the original sources (especially in a complete edition of the Westminster Standards), to see the scriptural basis for the reformed view of worship. Also, since the present reviewer has already written a brief summary of his own understanding of the scriptural teaching on worship,113 we will not rehearse that same discussion here.
The Regulative Principle in Reformation Theology
The regulative principle did not burst forth ex nihilo during the Puritan era; its ultimate foundation comes from scripture. The Protestant Reformers defended both the authority and sufficiency of scripture, and they sought to apply the sola scriptura rule to the subject of worship.
The Preface to the French Confession of 1559 illustrates the connection between the regulative authority of scripture and the proper worship of God:
We owe such respect and
reverence to the word of God as shall prevent us from adding to it anything of
our own, but shall make us conform entirely to the rules it prescribes. And
inasmuch as the Roman Church, forsaking the use and customs of the primitive
church, has introduced new commandments and a new form of worship of God, we
esteem it but reasonable to prefer the commandments of God, who is himself
truth, to the commandments of men, who by their nature are inclined to deceit
pilgrimages, the prohibition of marriage, and of eating meat, the ceremonial
observance of days, auricular confession, indulgences, and all such things by
which they hope to merit forgiveness and salvation. These things we reject, not
only for the false idea of merit which is attached to them, but also because
they are human inventions, imposing a yoke on the conscience.115
Now on our part, in
accordance with his declaration, that obedience is better than sacrifice (1 Sam.
15:22), and with his uniform injunction to listen to what he commands, if we
would render a well regulated and acceptable sacrifice, we hold that it is not
for us to invent what to us seems good, or to follow what may have been devised
in the brain of other men, but to confine ourselves simply to the purity of
scripture. Wherefore we believe that anything which is not derived from it, but
has only been commanded by the authority of men, ought not to be regarded as the
service of God.116
Since men have turned
aside from pure and holy obedience to God, they have discovered that good
intention was sufficient to approve everything. This was to open the door to all
superstitions. It has been the origin of the worship of images, the purchase of
masses, the filling of churches with pomp and parade, the running about on
pilgrimages, the making of vows by each at his own hand. But the abyss here is
so profound that it is enough for us to have touched on some examples. So far is
it from being permitted to honour God by human inventions, that there would be
no firmness nor certainty, neither bottom nor shore in religion: everything
would go to wreck, and Christianity differ in nothing from the idolatries of the
Therefore, we see that at the heart of Reformed worship is the concept that God may not be worshiped by means of human devising, even upon the pretense of good intent; rather, genuine worship must be offered by the means which God has enjoined in his word.
To illustrate how the regulative principle provides the basis for practices of corporate worship, we turn to the Genevan Order—a directory for worship which was adopted by the congregation of English exiles living in Geneva at the time of Calvin.118
In the Preface to the Order, a connection is drawn between the sufficiency of Scripture, and the worship of the church:
We, therefore, not as the
greatest clerks of all, but as the least able of many, do present unto you which
desire the increase of God’s glory, and the pure simplicity of his word, a form
and order of a reformed church, limited within the compass of God’s word, which
our Saviour has left unto us as only [alone] sufficient to govern all our
actions by; so that whatsoever is added to this word by man’s device, seem it
never so good, holy, or beautiful, yet before our God, who is jealous and cannot
admit any companion or counsellor, it is evil, wicked, and abominable.119
For as ceremonies
grounded upon God’s word, and approved in the New Testament, are commendable (as
the circumstance thereof does support), so those that man has invented (though
he had never so good occasion thereunto), if they are once abused, import a
necessity, hinder God’s word, or be drawn into a superstition, without respect
ought to be abolished.120
We have contented
ourselves with that wisdom which we have learned in God’s book, where we are
taught to preach the word of God purely, minister the sacraments sincerely, and
use prayers and other orders thereby approved, to the increase of God’s glory,
and edification of his holy people. As touching preaching, forasmuch as it is
allowed of all godly men, we may at this time leave the probation [proof]
thereof. And also for the ministration of the two sacraments, our book gives
The contents of Genevan Order reflect the principles outlined in the Preface. The order allows only such elements of worship as may be established by God’s word. The weekly service on the Lord’s day is composed of the following items: (1) a congregational prayer for confession of sin; (2) congregational singing of a psalm, followed by (3) a prayer before the sermon; (4) the sermon (coupled with the reading of scripture); after the sermon, (5) a prayer for the whole estate of Christ’s Church; (6) congregational singing of another psalm; (7) the minister pronouncing a blessing (taken from scripture) upon the congregation. Forms are also provided for the more occasional aspects of public service, such as baptisms and the administration of the Lord’s Supper.
Although the Order contains a number of prayers and admonitions for worship, it includes an explanatory note making it clear that ministers are not bound in a slavish adherence to the book:
It shall not be necessary for the minister daily to repeat all these things before mentioned, but beginning with some manner of confession, to proceed to the Sermon; which ended, he either uses the prayer for all estates before mentioned, or else prays, as the Spirit of God shall move his heart, framing the same according to the time and matter which he hath entreated of.122
Elsewhere in Reformed creeds, readers will find ample testimony to the regulative principle. The Heidelberg Catechism (1563) states it in a nutshell:
Question 96. What does
God require in the second commandment?
Calvin considered the subject of worship to be foundational to the Christian faith. In his tract On the Necessity of Reforming the Church, the Genevan reformer states that the entire substance of Christianity may be comprised under two principal heads: “first, of the mode in which God is truly worshipped, and secondly, of the source from which salvation is obtained.”123 Elsewhere, he writes, “to debate about the mode in which men obtain salvation, and say nothing of the mode in which God may be duly worshipped, is too absurd.”124
Calvin says that “the rule which distinguishes between pure and vitiated worship is of universal application, in order that we may not adopt any device which seems fit to ourselves, but look to the injunctions of him who alone is entitled to prescribe.” The reformer continues:
I know how difficult it
is to persuade the world that God disapproves of all modes of worship not
expressly sanctioned by his word. The opposite persuasion which cleaves to them,
being seated, as it were, in their very bones and marrow, is, that whatever they
do has in itself a sufficient sanction, provided it exhibits some kind of zeal
for the honor of God. But since God not only regards as fruitless, but also
plainly abominates, whatever we undertake from zeal to his worship, if at
variance with his command, what do we gain by a contrary course? The words of
God are clear and distinct, “Obedience is better than sacrifice.” “In vain do
they worship me, teaching for doctrines the commandments of men,” (1 Sam. 15:22;
Matt. 15:9). Every addition to his word, especially in this matter, is a lie.
Mere “will worship” (ethelothreeskeia) is vanity [Col. 2:23]. This is the
decision, and when once the judge has decided, it is no longer time to debate.125
In another succinct statement, the Scottish reformer said: “I feared not to affirm, that of necessity it is, that such as hope for life everlasting avoid all superstition, vain religion, and idolatry. Vain religion and idolatry I call whatsoever is done in God’s service or honour, without the express commandment of his own word.”127
It should now be clear that the regulative principle, although not called by that term, was a concept already widely understood among Protestants; it was not a latter-day invention of the Puritans.128
Note specifically that the Reformation documents clearly show that the regulative principles grows out of the sola scriptura rule of Protestant theology. The central idea is that the church must restrict its worship to the means enjoined by Scripture, and may not worship God “in any other way than he has commanded in his word” (to borrow the words of the Heidelberg Catechism). It is further noted that good intention is not a sufficient basis for adopting methods of worship which are human innovations.
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